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"Until one morning in mid-November of 1959, few Americans--in fact, few Kansans--had ever heard of Holcomb Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama, in the shape of exceptional happenings, had never stopped there." If all Truman Capote did was invent a new genre--journalism written with the language and structure of literature--this "nonfiction novel" about the brutal slaying of the Clutter family by two would-be robbers would be remembered as a trail-blazing experiment that has influenced countless writers. But Capote achieved more than that. He wrote a true masterpiece of creative nonfiction. The images of this tale continue to resonate in our minds: 16-year-old Nancy Clutter teaching a friend how to bake a cherry pie, Dick Hickock's black '49 Chevrolet sedan, Perry Smith's Gibson guitar and his dreams of gold in a tropical paradise--the blood on the walls and the final "thud-snap" of the rope-broken necks. .
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A powerhouse sixth-grade Academic Bowl team from Epiphany Middle School; the art of calligraphy; the retirees of Century Village, Florida; a genius dog named Ginger; and a holiday production of "Annie" all figure heavily in the latest book by E. L. Konigsburg, who has produced a Newbery Medal-winning children's tale to rival her classic From the Mixed-Up Files of Mrs. Basil E. Frankweiler, which won the Newbery Medal almost 30 years ago. The new book centers around a group of four brilliant, shy 12-year-olds and the tea party they have each Saturday morning. Konigsburg's wacky erudition and her knack for offbeat characters make this a funny and endearing story of friendship..
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Ever since Mark's parents died, he has been living with Bryon. The boys are more like brothers than mere friends They've been inseparable--until recently Something seems to be changing between them, and Bryon can't figure it out. Is it Cathy, Bryon's new girlfriend? Is Mark jealous? Bryon is also tired of the street fighting, but Mark seems unable to quit. And where is Mark getting all of that money? In That Was Then, This Is Now, one of her most admired novels, S. E. Hinton paints a richly textured portrait of two boys at a crossroads in their friendship. With careful, intimate strokes, Hinton reveals a boy struggling over whether to protect his best friend or whether to follow his own beliefs about right and wrong. The ending will surprise readers, challenging them to puzzle over Bryon's dilemma in their own hearts. .
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Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.

Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.

Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park.
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“An amusing, astonishing debut . . . about how a family learns to let go of the past and live and love in the present ” —The Atlanta Journal-Constitution

With this wise, tender, and deeply funny novel, Marina Lewycka takes her place alongside Zadie Smith and Monica Ali as a writer who can capture the unchanging verities of family. When an elderly and newly widowed Ukrainian immigrant announces his intention to remarry, his daughters must set aside their longtime feud to thwart him. For their fatherÂ’s intended is a voluptuous old-country gold digger with a proclivity for green satin underwear and an appetite for the good life of the West. As the hostilities mount and family secrets spill out, A Short History of Tractors in Ukrainian combines sex, bitchiness, wit, and genuine warmth in its celebration of the pleasure of growing old disgracefully.

“A charming comedy of eros... A ride that, despite the bumps and curves in the road, never feels anything less than jaunty.” —Los Angeles Times
“Lewycka is a writer with a fundamentally optimistic vision of the future and a healthy curiosity about the past.” —Chicago Tribune
“Charming, poignantly funny.” —The Washington Post Book World.
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Major collection of Gandhi's writings, used widely as introduction.
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When a novel like Huckleberry Finn, or The Yearling, comes along it defies customary adjectives because of the intensity of the respouse it evokes in the reader. Such a book, we submit, is Old Yeller; to read this eloquently simple story of a boy and his dog in the Texas hill country is an unforgettable and deeply moving experience.

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The number of Inspector Montalbano fans will continue to grow with this ingenious new novel featuring the earthy and urbane Sicilian detective. Half the retirees in Vig`ata have invested their savings with a financial wizard who has disappeared, along with their money. As Montalbano investigates this labyrinthine financial scam, he finds himself at a serious disadvantage: a hostile superior has shut him out of the case, heÂ’s on the outs with his lover Livia, and his cherished Sicily is turning so ruthless and vulgar that Montalbano wonders if any part of it is worth saving. Drenched with atmosphere, crackling with wit, The Smell of the Night is Camilleri at his most addictive..
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