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According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser. This classic, written by S. E. Hinton when she was 16 years old, is as profound today as it was when it was first published in 1967..
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"It began as a mistake " By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel—the one that catapulted its author to national fame—is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this visually arresting book is the most comprehensive survey of graffiti art ever published.

Today's young graffiti artists incorporate a variety of mediums-including stickers, stencils, oils, acrylics, and oil-based chalk-as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world. Great fun for graffiti and pop-culture buffs, the book is also an essential reference work for anyone involved in the visual arts today. AUTHOR BIO: Nicholas Ganz (also known as Keinom, his pen name) is a graffiti artist who has traveled around the world to gather material for this book. He lives in Essen, Germany. Tristan Manco is a graphic artist and director of Bristol-based Tijuana Design. He is the author of Stencil Graffiti and Street Logos. .
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For about two decades John W. Loftus was a devout evangelical Christian, an ordained minister of the Church of Christ, and an ardent apologist for Christianity With three degrees--in philosophy, theology, and philosophy of religion--he was adept at using rational argumentation to defend the faith. But over the years, as he ministered to various congregations and taught at Christian colleges, doubts about the credibility of key Christian tenets began to creep into his thinking. By the late 1990s he experienced a full-blown crisis of faith, brought on by emotional upheavals in his personal life as well as the gathering weight of the doubts he had long entertained.

In this honest appraisal of his journey from believer to atheist, Loftus carefully explains the experiences and the reasoning process that led him to reject religious belief. The bulk of the book is his "cumulative case" against Christianity. Here he lays out the philosophical, scientific, and historical reasons that can be raised against Christian belief. From the implications of religious diversity, the authority of faith vs. reason, and the problem of evil, to the contradictions between the Bible and the scientific worldview, the conflicts between traditional dogma and historical evidence, and much more, Loftus covers a great deal of intellectual terrain. For every issue he succinctly summarizes the various points of view and provides references for further reading. In conclusion, he describes the implications of life without belief in God, some liberating, some sobering.

This frank critique of Christian belief from a former insider will interest freethinkers as well as anyone with doubts about the claims of religion..
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A heroic story of friendship and belonging

Ponyboy can count on his brothers And on his friends But not on much else besides trouble with the Socs, a vicious gang of rich kids whose idea of a good time is beating up “greasers” like Ponyboy. At least he knows what to expect–until the night someone takes things too far..
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Eldorado, Texas, is being invaded by polygamists from Colorado City. “Outsiders” unfamiliar with what they do and how they do it are aggressively seeking information about the group. And they should . . . The public needs to know how the one-man dictatorship developed and how maniacal Warren Jeffs rules today. He and his lieutenants are highly skilled and articulate business men who have mastered the art of deception and therefore pose a threat to any community they inhabit. . . Colorado City historian Benjamin Bistline’s first deeply documented book, The Polygamists: A History of Colorado City, Arizona was written to present the truth of the beginnings of the group and its original religious doctrine. Over the years, that doctrine has been verbally “rewritten” by religious leaders to support their claim of God’s approval of their one-man tyrannical dictatorship. . . For “outsiders” to whom Colorado City and polygamy are new, the first book was overwhelming with deep documentation. So we offer you this book, condensed, simplified, and easy to follow. . . People across America are asking how it is that girls as young as thirteen can be forced to marry, and not even to young men but old men; and how it is that women are treated as chattel and belong not to themselves or their husband, but to the Priesthood; and how it is that wives and children can suddenly be reassigned to a “more obedient” man; and how it is that teenage boys are cast out so older men can have more wives. . . (And now these disenfranchised boys are finally finding help from an organization in Salt Lake City.) And finally, how is it that tax dollars of American citizens are not only supporting many large polygamist families, but helping their communities expand. . . Polygamy abuses in America remain in the public eye thanks to Oprah, CNN, ABC Primetime, A&E Television and other media sources, including newspapers The Salt Lake Tribune, The Spectrum of St. George, Utah, The Phoenix New Times, The Arizona Republic, and the Deseret Morning News. With polygamists setting up an enclave in Texas, The Eldorado Success, San Antonio Express-News, Fort Worth Star Telegram, The Dallas Morning News, and others are working to make their citizens aware..
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First published by Viking in 1967, The Outsiders immediately resonated with young adults. This groundbreaking novel was like nothing else out there—it was honest and gritty, and was a deeply sympathetic portrayal of Ponyboy, a young man who finds himself on the outside of regular society. Forty years later, with over thirteen million copies sold, the story is as fresh and powerful to teenagers today as it ever was.

Celebrate the fortieth anniversary of a classic with this stunning edition, featuring the original cover..
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SISTER OUTSIDER presents essential writings of black poet and feminist writer Audre Lorde, an influential voice in 20th century literature In this varied collection of essays, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, offering a message of struggle but also of hope--one that still resonates with us after more than 20 years. This commemorative edition is, in Lorde's own words, a call to "never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is. . . .".
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