Books about Pan caribbean from Amazon.com

If you've ever wished for a fresh and imaginative way of saying "I love you" to your beloved, peruse Chilean poet Pablo Neruda's 100 Love Sonnets. This intimate bilingual collection overflows with the master poet's signature sensuality and inventive imagery. Written in the 1950s for his cherished wife Matilde Urrutia, Neruda's earnest adoration leaps off the page in poem after poem: "Your heart is a clay toy shaped like a dove"; "Your kisses are clusters of fruit, fresh with dew." Thanks to translator Stephen Tapscott, Neruda's dreamy images carry over vividly from the Spanish and dance in the mind for days after they're read.

Neruda pays only loose tribute to the sonnet by employing a 14-line structure for each poem. As he says, his sonnets are made of wood, rather than the "silver, or crystal, or cannonfire" of a more refined sonnet. Neruda's humility is apparent as he refers again and again to the natural landscape of Isla Negra (the Pacific island where he and his wife lived) to describe his simple dedication to Matilde: "...I am like a scorched rock / that suddenly sings when you are near, because it drinks / the water you carry from the forest, in your voice."

Journeying from the erotic celebration of the body to the spiritual depths of eternal union, 100 Love Sonnets shows why "two happy lovers make one bread" and "waking, they leave one sun empty in their bed.".
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Salsa is one of the most popular types of music listened to and danced to in the United States. Until now, the single comprehensive history of the music—and the industry that grew up around it, including musicians, performances, styles, movements, and production--was available only in Spanish. This lively translation provides for English-reading and music-loving fans the chance to enjoy C©sar Miguel Rond³n's celebrated El libro de la salsa.

Rond³n tells the engaging story of salsa's roots in Puerto Rico, Cuba, Colombia, the Dominican Republic, and Venezuela, and of its emergence and development in the 1960s as a distinct musical movement in New York. Rond³n presents salsa as a truly pan-Caribbean phenomenon, emerging in the migrations and interactions, the celebrations and conflicts that marked the region. Although salsa is rooted in urban culture, Rond³n explains, it is also a commercial product produced and shaped by professional musicians, record producers, and the music industry. For this first English-language edition, Rond³n has added a new chapter to bring the story of salsa up to the present..
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Dreamtigers has been heralded as one of the literary masterpieces of the twentieth century by Mortimer J. Adler, editor of Great Books of the Western World. It has been acknowledged by its author as his most personal work. Composed of poems, parables, and stories, sketches and apocryphal quotations, Dreamtigers at first glance appears to be a sampler—albeit a dazzling one—of the master's work. Upon closer examination, however, the reader discovers the book to be a subtly and organically unified self-revelation.

Dreamtigers explores the mysterious territory that lies between the dreams of the creative artist and the "real" world. The central vision of the work is that of a recluse in the "enveloping serenity " of a library, looking ahead to the time when he will have disappeared but in the timeless world of his books will continue his dialogue with the immortals of the past — Homer, Don Quixote, Shakespeare. Like Homer, the maker of these dreams is afflicted with failing sight. Still, he dreams of tigers real and imagined and reflects upon of a life that, above all, has been intensely introspective, a life of calm self-possession and absorption in the world of the imagination. At the same time he is keenly aware of that other Borges, the public figure about whom he reads with mixed emotions: "It's the other one, it's Borges, that things happen to."

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The extraordinary Muna Lee was a brilliant writer, lyric poet, translator, diplomat, feminist and rights activist, and, above all, a Pan-Americanist During the twentieth century, she helped shape the literary and social landscapes of the Americas. This is the first biography of her remarkable life and a collection of her diverse writings, which embody her vision of Pan America, an old concept that remains new and meaningful today..
Price: $11.95 [Notify me when price goes down.]

A stirring account of the covert effort to smuggle Cuban children into the United States in the aftermath of Fidel Castro's rise to power, Fleeing Castro brings to light the humanitarian program designed to care for the children once they arrived and the hardship and suffering endured by the families who took part in Operation Pedro Pan.

From late 1960 until the October 1962 missile crisis, 14,048 unaccompanied Cuban children left their homeland, the small island suddenly at the center of the Cold War struggle. Their parents, unable to obtain visas to leave Cuba, believed a short separation would be preferable to subjecting their offspring to Castro's totalitarian Marxist state. For the children, the exodus began a prolonged and tragic ordeal--some didn't see their parents again for years; a few never did.

Until now, this chapter of the Cuban Revolution has been relatively obscure. Initially the result of an effort by James Baker, headmaster of an American school in Cuba who worked closely with the anti-Castro underground, Pedro Pan quickly came to involve the Catholic Church in Miami and, in particular, Father Bryan Walsh, who established the Cuban Children's Program, the nationwide organization that cared for those children without relatives or friends in the United States--almost half of them. The latter program, in effect until 1981, was the first to allot federal money to private agencies for child care, an action with far-reaching repercussions for U.S. social policy.

Victor Andres Triay traces this story from its political and social origins in Cuba, setting it in the context of the Cold War and describing the roles of the organizations involved in Cuba and in the United States. Making use of extensive interviews with Baker, Walsh, and influential underground figures, as well as personal letters that document the fears and dreams of both the parents and the children, Triay presents this history of Pedro Pan--the largest child refugee movement ever in the Western Hemisphere--with the drama of an international thriller and the pathos of a heartbreaking family drama..
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This book deals with the African legacy of Caribbean societies. It shows how literary works and practices have highlighted the relations between Africans in the continent and those in the Diaspora and the interconnections among their social institutions.

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Bond without Blood constructs the narrative of the Ethiopian-Caribbean ties with three interwoven themes in mind: pan-African nationalism, repatriation, and cultural cross-fertilization. Central in all this is the evocative role of Ethiopian symbolism, the precursor of modern racial nationalism, in the shaping of a collective pan-black consciousness. The overall unitary thesis that holds this book together is that contemporary Ethiopian-Caribbean relation is deeper than a mere psychological preoccupation. Both societies, despite a great physical distance, continue to impact on each other's awareness through migration, religion, secular culture, as well as through a shared history of anti-colonial activism..
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Smitten by the modernity of Cervantes and Borges at an early age, Carlos Fuentes has written extensively on the cultures of the Americas and elsewhere. His work includes over a dozen novels, among them The Death of Artemio Cruz, Christopher Unborn, The Old Gringo, and Terra Nostra, several volumes of short stories, numerous essays on literary, cultural, and political topics, and some theater. In this book, Raymond Leslie Williams traces the themes of history, culture, and identity in Fuentes' work, particularly in his complex, major novel Terra Nostra. He opens with a biography of Fuentes that links his works to his intellectual life. The heart of the study is Williams' extensive reading of the novel Terra Nostra, in which Fuentes explores the presence of Spanish culture and history in Latin America. Williams concludes with a look at how Fuentes' other fiction relates to Terra Nostra, including Fuentes' own division of his work into fourteen cycles that he calls "La Edad del Tiempo," and with an interview in which Fuentes discusses his concept of this cyclical division..
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Pirates include Captain Avery, Captain John Rachkam, Captain Spriggs, Capt Edward Lowe, Capt George Lowther, Capt Anstis, Capt John Phillips, Captain Teach, alias Blackbeard, Marjor Stede Bonnet, Capt William Kid, Capt. Edward England, Capt John Gow, alias Smith.

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