Books about Paternity from Amazon.com

Ann B. Ross’s most recent novel, Miss Julia’s School of Beauty, was a New York Times extended bestseller, with more fans drawn to Miss Julia’s adventures every outing. Miss Julia Stands Her Ground finds our steel magnolia looking forward to many peaceful and happy years with her new husband, Sam. But she still has plenty to worry about. When Hazel Marie’s troublemaking uncle, Brother Vernon Puckett, comes back to town, he claims to have conclusive proof that Little Lloyd is not the son of Miss Julia’s late, philandering husband Wesley Lloyd Springer—a fact to which Miss Julia would have gladly subscribed a few years back. But that was then, before Miss Julia’s life revolved around Little Lloyd, before that magical holiday when he became the apple of her eye.

With DNA testing the only possible way to settle the dispute, Miss Julia shudders at the thought of exhuming her dead husband’s body. But her housekeeper Lillian has a few souvenirs of Wesley Lloyd’s life tucked away that, though a little creepy, might just be the key to ending the whole ugly mess. Another hilarious adventure, Miss Julia Stands Her Ground confirms what we know in our hearts—family is always thicker than blood.

Praise for Ann B. Ross and the Miss Julia series:
“Miss Julia is one of the most delightful characters to come along in years.”
—Fannie Flagg

“Funny and endearing.”
—The Dallas Morning News.
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Jane Jeffry, suburban sleuth extraordinare, and her friend, Detective Mel VanDyne, have braved a blizzard to join her friend Shelley at a Colorado ski resort. In spite of having all their kids along, Jane and Shelley imagine a few mindless days of relaxation. But their hopes are dashed on their first attempt to ski when Jane careens into a snowman that hides a very real -- and every dead -- body.

The slopes are littered with suspects -- a convention of genealogists led by a political fruitcake who thinks she's going to put her hand-picked Tsar on the Russian throne, a mysterious crimson-clad skier who's always on the horizon, and ex-stockbroker who's hiding from his investors, and an irate tribe of Native Americans. Jane has to take a census of the suspects and make some grave assumptions about who was vacationing with malicious intent.

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From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . .

Some memories are better left buried in the past. Well-known author Graham Broadbent has managed to repress one particularly dangerous memory for many years, but a trip home to a school reunion brings back the shocking reality of a desperate youthful passion.

It all begins with a knock on Graham's hotel door. His visitor is nineteen-year-old Christa, who read in the newspaper that he would be in town. She introduces herself as his long-lost daughter. His daughter? It's true that many years ago Graham had a fling with Christa's mother, an exquisitely alluring school actress named Peggy Somers. The dates don't work, though. Graham maintains he was out of the country when Christa was conceived. He couldn't be her father.

He's almost sorry that he can't claim Christa, a lively young woman who intrigues him in a strange way. And what about Christa's mother, the formidable Peggy, who made such an impression when she portrayed Saint Joan in the school play all those years ago? Why would she have lied to Christa about her paternity? Why name Graham as the girl's father?

Separated from his wife, at loose ends in his writing, Graham takes the fateful step of searching out Peggy. It's a big mistake. Peggy's life, which started with such promise, has been a major disappointment. Now it's about to become a disaster. Peggy lies. She fabricates. She fantasizes. She is the kind of person who will destroy Graham if he lets her.

As Graham finds himself drawn increasingly into the turmoil surrounding this woman and her children, he must deal with deception and, ultimately, with murder. The sins of the past return to haunt the living, and the lives of those who survive will never be the same.

Writing with the piercing insight and wit for which he is renowned, Robert Barnard creates a poignant masterpiece of mystery, as thoughtful as it is entertaining..
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When Charlene Cooper was eighteen, she turned to Brand Bravo in desperation-and he couldn't get away fast enough. And then ten years later, Charlene was forced to turn to him again-this time with a baby in her arms and a burning question in her heart: are you this little girl's father? At twenty Brand Bravo knew that he could never be the kind of man Charlene deserved At thirty, he knew she was the love of his life, and he would do anything to get her back. Because, once again, she needed him, for herself and for the infant in her care. And this time, Brand wouldn't hesitate to be anything Charlene asked him to be. Husband. And father?.
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The twenty-one original essays in this volume offer a rigorous reconsideration of modern forms of paternity and friendship as they emerge in works by writers and philosophers from the eighteenth through the twentieth century. Exploring various models of these twin themes, contributors examine writings of canonical figures such as Goethe, Schiller, Hœlderlin, Kleist, and Brentano, as well as Kafka, Benjamin, and Arendt. Together, the essays combine an emphasis on the German literary-philosophical tradition with comparative approaches, offering both theoretical discussions and sophisticated readings of crucial texts that have helped shape our contemporary literary engagement with paternity and friendship.

This collection honors Stanley Corngold, an influential scholar and teacher who has taught German at Princeton University for more than thirty years..
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