Books about Plagues from Amazon.com

Louise Erdrich's mesmerizing new novel, her first in almost three years, centers on a compelling mystery. The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation. The descendants of Ojibwe and white intermarry, their lives intertwine; only the youngest generation, of mixed blood, remains unaware of the role the past continues to play in their lives.

Evelina Harp is a witty, ambitious young girl, part Ojibwe, part white, who is prone to falling hopelessly in love. Mooshum, Evelina's grandfather, is a seductive storyteller, a repository of family and tribal history with an all-too-intimate knowledge of the violent past. Nobody understands the weight of historical injustice better than Judge Antone Bazil Coutts, a thoughtful mixed blood who witnesses the lives of those who appear before him, and whose own love life reflects the entire history of the territory. In distinct and winning voices, Erdrich's narrators unravel the stories of different generations and families in this corner of North Dakota. Bound by love, torn by history, the two communities' collective stories finally come together in a wrenching truth revealed in the novel's final pages.

The Plague of Doves is one of the major achievements of Louise Erdrich's considerable oeuvre, a quintessentially American story and the most complex and original of her books.

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In the third volume, the peril escalates as an unexplained darkness infects the creatures of Fablehaven .
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Amazon Significant Seven, March 2008: I may be alone here, but when I read Michael Chabon's The Amazing Adventures of Kavalier and Clay, a whole strata of American artists came to life for me. Ever since then I've been waiting for a book like David Hajdu's The Ten-Cent Plague to come along and show me the contours of this world. Anyone who remembers Positively 4th Street will recognize in this new book Hajdu's peerless ability to weave first-person recollections with an acute perspective of America at a pivotal moment in its cultural timeline. The rise of comics as a mode of expression, an outlet for entertainment, and, rather tragi-comically, as a target for censorship, couldn't be more compelling in anyone else's hands. In deft narrative strokes Hajdu creates a colorful, character-driven story of our first real--and lasting--counterculture (if the burgeoning popularity of graphic novels is any indication) and shows why we embrace it still.--Anne Bartholomew

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Geraldine Brooks's Year of Wonders describes the 17th-century plague that is carried from London to a small Derbyshire village by an itinerant tailor. As villagers begin, one by one, to die, the rest face a choice: do they flee their village in hope of outrunning the plague or do they stay? The lord of the manor and his family pack up and leave. The rector, Michael Mompellion, argues forcefully that the villagers should stay put, isolate themselves from neighboring towns and villages, and prevent the contagion from spreading. His oratory wins the day and the village turns in on itself. Cocooned from the outside world and ravaged by the disease, its inhabitants struggle to retain their humanity in the face of the disaster. The narrator, the young widow Anna Frith, is one of the few who succeeds. With Mompellion and his wife, Elinor, she tends to the dying and battles to prevent her fellow villagers from descending into drink, violence, and superstition. All is complicated by the intense, inexpressible feelings she develops for both the rector and his wife. Year of Wonders sometimes seems anachronistic as historical fiction; Anna and Mompellion occasionally appear to be modern sensibilities unaccountably transferred to 17th-century Derbyshire. However, there is no mistaking the power of Brooks's imagination or the skill with which she constructs her story of ordinary people struggling to cope with extraordinary circumstances. --Nick Rennison, Amazon.co.uk.
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The end begins with a viral outbreak unlike anything mankind has ever encountered before. The infected are subject to delirium, fever, a dramatic increase in violent behavior, and a one-hundred percent mortality rate. Death. But it doesn't end there. The victims return from death to walk the earth. When a massive military operation fails to contain the plague of the living dead it escalates into a global pandemic. In one fell swoop, the necessities of life become much more basic. Gone are petty everyday concerns. Gone are the amenities of civilized life. Yet a single law of nature remains: Live, or die. Kill, or be killed. On one side of the world, a battle-hardened General surveys the remnants of his command: a young medic, a veteran photographer, a brash Private, and dozens of refugees, all are his responsibility-all thousands of miles from home. Back in the United States, an Army Colonel discovers the darker side of Morningstar virus and begins to collaborate with a well-known journalist to leak the information to the public... The Morningstar Saga has begun..
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The Nobel prize-winning Albert Camus, who died in 1960, could not have known how grimly current his existentialist novel of epidemic and death would remain. Set in Algeria, in northern Africa, The Plague is a powerful study of human life and its meaning in the face of a deadly virus that sweeps dispassionately through the city, taking a vast percentage of the population with it. .
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Paul Farmer has battled AIDS in rural Haiti and deadly strains of drug-resistant tuberculosis in the slums of Peru. A physician-anthropologist with more than fifteen years in the field, Farmer writes from the front lines of the war against these modern plagues and shows why, even more than those of history, they target the poor. This "peculiarly modern inequality" that permeates AIDS, TB, malaria, and typhoid in the modern world, and that feeds emerging (or re-emerging) infectious diseases such as Ebola and cholera, is laid bare in Farmer's harrowing stories of sickness and suffering.
Challenging the accepted methodologies of epidemiology and international health, he points out that most current explanatory strategies, from "cost-effectiveness" to patient "noncompliance," inevitably lead to blaming the victims. In reality, larger forces, global as well as local, determine why some people are sick and others are shielded from risk. Yet this moving account is far from a hopeless inventory of insoluble problems. Farmer writes of what can be done in the face of seemingly overwhelming odds, by physicians determined to treat those in need. Infections and Inequalities weds meticulous scholarship with a passion for solutions--remedies for the plagues of the poor and the social maladies that have sustained them..
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Where's your next disease coming from? From anywhere in the world--from overflowing sewage in Cairo, from a war zone in Rwanda, from an energy-efficient office building in California, from a pig farm in China or North Carolina "Preparedness demands understanding," writes Pulitzer-winning journalist Laurie Garrett, and in this precursor to Betrayal of Trust: The Collapse of Global Public Health, she shows a clear understanding of the patterns lying beneath the new diseases in the headlines (AIDS, Lyme) and the old ones resurgent (tuberculosis, cholera). As the human population explodes, ecologies collapse and simplify, and disease organisms move into the gaps. As globalization continues, diseases can move from one country to another as fast as an airplane can fly.

While the human race battles itself ... the advantage moves to the microbes' court. They are our predators and they will be victorious if we, Homo sapiens, do not learn how to live in a rational global village that affords the microbes few opportunities.

Her picture is not entirely bleak. Epidemics grow when a disease outbreak is amplified--by contaminated water supplies, by shared needles, by recirculated air, by prostitution. And controlling the amplifiers of disease is within our power; it's a matter of money, people, and will. --Mary Ellen Curtin.
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