Books about Plantations from Amazon.com

Sometimes only remembered for the epic motion picture and "Frankly ... I don't give a damn," Gone with the Wind was initially a compelling and entertaining novel. It was the sweeping story of tangled passions and the rare courage of a group of people in Atlanta during the time of Civil War that brought those cinematic scenes to life. The reason the movie became so popular was the strength of its characters--Scarlett O'Hara, Rhett Butler, and Ashley Wilkes--all created here by the deft hand of Margaret Mitchell, in this, her first novel. .
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The story of Thomas Sutpen, an enigmatic stranger who came to Jefferson in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, "who wanted sons and the sons destroyed him.".
Price: $4.99 [Notify me when price goes down.]

Pat Conroy called Dorothea Benton Frank's debut, Sullivan's Island, "hilarious and wise," while Anne Rivers Siddons declared that it "roars with life." Here, Frank evokes a lush plantation in the heart of modern-day South Carolina-where family ties and hidden truths run as deep and dark as the mighty Edisto River..
Price: $3.74 [Notify me when price goes down.]

Much has been written about Thomas Jefferson, with good reason: His life was a great American drama–one of the greatest–played out in compelling acts. He was the architect of our democracy, a visionary chief executive who expanded this nation’s physical boundaries to unimagined lengths. But Twilight at Monticello is something entirely new: an unprecedented and engrossing personal look at the intimate Jefferson in his final years that will change the way readers think about this true American icon. It was during these years–from his return to Monticello in 1809 after two terms as president until his death in 1826–that Jefferson’s idealism would be most severely, and heartbreakingly, tested.

Based on new research and documents culled from the Library of Congress, the Virginia Historical Society, and other special collections, including hitherto unexamined letters from family, friends, and Monticello neighbors, Alan Pell Crawford paints an authoritative and deeply moving portrait of Thomas Jefferson as private citizen–the first original depiction of the man in more than a generation.

Here, told with grace and masterly detail, is Jefferson with his family at Monticello, dealing with illness and the indignities wrought by early-nineteenth-century medicine; coping with massive debt and the immense costs associated with running a grand residence; navigating public disputes and mediating family squabbles; receiving dignitaries and corresponding
with close friends, including John Adams, theMarquis de Lafayette, and other heroes from the Revolution. Enmeshed as he was in these affairs during his final years, Jefferson was still a viable political force, advising his son-in-law Thomas Randolph during his terms as Virginia governor, helping the administration of his good friend President James Madison during the “internal improvements” controversy, and establishing the first wholly secular American institution of higher learning, the University of Virginia at Charlottesville. We also see Jefferson’s views on slavery evolve, along with his awareness of the costs to civil harmony exacted by the Founding Fathers’ failure to effectively reconcile slaveholding within a republic dedicated to liberty.

Right up until his death on the fiftieth anniversary of America’s founding, Thomas Jefferson remained an indispensable man, albeit a supremely human one. And it is precisely that figure Alan Pell Crawford introduces to us in the revelatory Twilight at Monticello.

'Crawford (Thunder on the Right) offers his own equally compelling look, in this case at Jefferson's life, post-presidency, from 1809 until his death in 1826. Then a private citizen, Jefferson was burdened by financial and personal and political struggles within his extended family. His beloved estate, Monticello, was costly to maintain and Jefferson was in debt. Newly studying primary sources, Crawford thoroughly conveys the pathos of Jefferson's last years, even as he successfully established the University of Virginia (America's first wholly secular university) and maintained contact with James Madison, John Adams, and other luminaries. He personally struggled with political, moral, and religious issues; Crawford shows us a complex, self-contradictory, idealistic, yet tragic figure, helpless to stabilize his family and finances. Historians and informed readers alike will find much to relish in both of these distinctive works of original scholarship. Both are recommended for academic and large public libraries.
–Library Journal

“In "Twilight at Monticello," Alan Pell Crawford treats his subject with grace and sympathetic understanding, and with keen penetration as well, showing the great man's contradictions (and hypocrisies) for what they were.”
–Wall Street Journal


“Like all people, famous or almost unknown, Jefferson was a mass of contradictions. Crawford explores them masterfully, thus indeed presenting a new Jefferson for a new generation.”
–Houston Chronicle

“…a worthy addition to the already enormous body of Thomas Jefferson scholarship. Crawford did his homework well, using literally dozens of sources to give us an unvarnished picture of the human side of one of America’s greatest leaders in an entertaining, fast-moving narrative. You might never loom at Monticello in quite the same way again after reading this book.”
–The Fredericksburg (Va.) Free-Lance Star.
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When Lady Constance Morrow ?nds herself held against her will aboard a ship bound for the American colonies--a ship ?lled with "tobacco brides" and felons--she is quite sure that as soon as she arrives she will ?nd a reasonable man who will believe her father is an earl and send her back on the next ship to England. Instead she meets Drew O'Connor, a determined Colonial farmer who is nearly as headstrong as she is. Drew wins Constance as his bride but soon realizes he has taken on much more than he bargained for.
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Now, in this poignant mother-daughter story, Frank evokes a lush plantation in the heart of modern-day South Carolina-where family ties and hidden truths run as deep and dark as the mighty Edisto River...

Dorothea Frank and I share the same literary territory. (Pat Conroy)

Southern womanhood has found a new voice, and it is outrageous, hilarious, relentless and impossible to ignore. (John Berendt).
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Taking into account the major recent studies, this volume presents an updated analysis of the life of the black slave--his African heritage, culture, family, acculturation, behavior, religion, and personality .
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Shenandoah Sisters Book 4, the sequel to The Color of Your Skin Ain't the Color of Your Heart. For over a year, Mayme--a former slave--and Katie have lived together on Katie's plantation, hiding the fact that they are orphans of war to avoid being separated Together they have sheltered others and battled threats of foreclosure, theft, and deadly danger. But now the girls face what seems like the certain end of their scheme. A hard-nosed relative of Katie's father discovers--and exposes--their secret. He claims Rosewood as his own and forces Mayme and the other blacks to leave. Katie decides she must leave as well. Is this the end of their way of life? Will the girls ever be together again?.
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A gripping YA fiction debut by bestselling author Walter Mosley. Walter Mosley is one of the best known writers in America In his first book for young adults, Mosley deftly weaves historical and speculative fiction into a powerful narrative about the nature of freedom. 47 is a young slave boy living under the watchful eye of a brutal slave master. His life seems doomed until he meets a mysterious run-away slave, Tall John. Then 47 finds himself swept up in a struggle for his own liberation..
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Refiner's Fire book 3 Kitty, a house slave, always figured it was easiest to do what she'd always done--obey Missy and follow orders. But when word arrives that the Yankees are coming, Kitty is faced with a decision: will she continue to follow the bidding of her owners, or will she embrace this chance for freedom? Never allowed to have ideas of her own, Kitty is overwhelmed by the magnitude of her decision. Yet it is her hope to find the "happy ever after" ending to her life--and to follow Grady, whom she loves--that is the driving force behind her choice. Where will it lead her?.
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