Books about Post french from Amazon.com

For Elisabeth Roudinesco, a historian of psychoanalysis and one of France's leading intellectuals, Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida represent a "great generation" of French philosophers who accomplished remarkable work and lived incredible lives. These troubled and innovative thinkers endured World War II and the cultural and political revolution of the 1960s, and their cultural horizon was dominated by Marxism and psychoanalysis, though they were by no means strict adherents to the doctrines of Marx and Freud. Roudinesco knew many of these intellectuals personally, and she weaves an account of their thought through lived experience and reminiscences. Canguilhem, for example, was a distinguished philosopher of science who had a great influence on Foucault's exploration of sanity and madness-themes Althusser lived in a notorious personal drama. And in dramatizing the life of Freud for the screen, Sartre fundamentally altered his own philosophical approach to psychoanalysis.Roudinesco launches a passionate defense of Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida against the "new philosophers" of the late 1970s and 1980s, who denounced the work-and sometimes the private lives-of this great generation. Roudinesco refutes attempts to tar them, as well as the Marxist and left-wing tradition in general, with the brush of Soviet-style communism. In Freudian theory and the philosophy of radical commitment, she sees a bulwark against the kind of manipulative, pill-prescribing, and normalizing psychology that aims to turn individuals into mindless consumers. Intense, clever, and persuasive, Philosophy in Turbulent Times captivates with the dynamism of French thought in the twentieth century..
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The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafés, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III, or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.

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Exploring the themes of leisure and entertainment that dominated the years of Impressionist painting between 1865 and 1885, the author shows how Impressionism was integrated into the social and cultural life of its times..
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Originally published in 1961, before the United States escalated its involvement in South Vietnam, "Street Without Joy" offered a clear warning about what American forces would face in the jungles of Southeast Asia: a costly and protracted revolutionary war fought without fronts against a mobile enemy. In harrowing detail, Fall describes the brutality and frustrations of the Indo-china War, and the savage eight-year conflict - ending in 1954 after the fall of Dien Bien Phu - in which French forces suffered a staggering defeat at the hands of Communist-led Vietnamese nationalists. With its frontline perspective, vivid reporting, and careful analysis, "Street without Joy" was required reading for policymakers in Washington and GIs in the field and is now considered a classic..
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This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader. This first volume focuses on aspects of Realism, Impressionism and Post-Impressionism in Paris between 1848 and 1900. Discussing works by Courbet, Manet, Monet, Pissarro, Cezanne, Morisot and other great painters of the period, the authors demonstrate how some historians view this art as representative of the social, historical, and economic circumstances in which it was produced, how the painterly effects of the art are evaluated and how a feminist perspective can help to explain art works and change our perception of them..
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Claude Monet was a true magician of light and of colour. Yet it is not only his painting that fascinates us, but also the interesting life he led with his family and many friends. This book tells the tale of an unusual artist and his wonderful pictures..
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With 320 illustrations, 151 in full color, and 18 pages of gatefolds..
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