Books about Post modernist from Amazon.com

Arranged chronologically, the essays in this book-each brilliantly introduced by the editor-deal with the way art and culture interact in modern times. Each author focuses on one aspect of modern art and its relation to culture by analyzing, questioning or refuting the ideas about art that people just assume are true. The essays are also grouped into one of four different models used by art theorists today: the formalist (in which the works of art describe the processes of making art), the avant-garde (art that threatens the status quo), the contextualist (in which art can exist only in a specific situation or context), and the post-modernist (stating that art is not completely detached from popular culture)..
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Cultures of the Death Drive is a comprehensive guide to the work of pioneering psychoanalyst Melanie Klein (1882–1960) and to developments in Kleinian theory to date. It is also an analysis and a demonstration of the distinctive usefulness of Klein’s thought for understanding modernist literature and visual art. Esther Sánchez-Pardo examines the issues that the seminal discourses of psychoanalysis and artistic modernism brought to the fore in the early twentieth century and points toward the uses of Kleinian thinking for reconceptualizing the complexities of identity and social relations today.

Sánchez-Pardo argues that the troubled political atmosphere leading to both world wars created a melancholia fueled by “cultures of the death drive” and the related specters of object loss—loss of coherent and autonomous selves, of social orders where stability reigned, of metaphysical guarantees, and, in some cases, loss and fragmentation of empire. This melancholia permeated, and even propelled, modernist artistic discourses. Sánchez-Pardo shows how the work of Melanie Klein, the theorist of melancholia par excellence, uniquely illuminates modernist texts, particularly their representations of gender and sexualities. She offers a number of readings—of works by Virginia Woolf, René Magritte, Lytton Strachey, Djuna Barnes, and Countee Cullen—that reveal the problems melancholia posed for verbal and visual communication and the narrative and rhetorical strategies modernist artists derived to either express or overcome them. In her afterword, Sánchez-Pardo explicates the connections between modernist and contemporary melancholia.

A valuable contribution to psychoanalytic theory, gender and sexuality studies, and the study of representation in literature and the visual arts, Cultures of the Death Drive is a necessary resource for those interested in the work of Melanie Klein.
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Realist/neo-realist and neo-liberal institutional approaches of international relations (IR) theory, which take a rationalist/systemic approach using the state as a primary unit of analysis, have come under fire. Due to this 'critical turn', the discipline of IR seems to have congealed around seemingly intractable conceptualizations of theorizing and research: structural vs. post-structural, and positivist vs. post-positivist. The first part of this book is concerned with assessing some constructivist critiques of the dominant theories. Since not all constructivists are classified or classify themselves as post-structuralist and/or post-positivist, the second part attempts to unpack the category of IR constructivism. By comparing and contrasting two diametrically opposed constructivist strands - modernist and post-structural - on the central constructivist themes of intersubjectivity, identity, and representation, the text attempts to verify whether a common core of principles exists between the opposing strands. The modernist work of Alexander Wendt (supplemented by Emanuel Adler and John Gerard Ruggie) is compared to the post-structural position of David Campbell (supplemented by Richard K. Ashley and R.B.J Walker). The result of the analysis demonstrates that, even within the diametrically opposed strands, a common core of constructivist principles does exist..
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The central theme of this book is the study of social movements in India, situating movements in society and in the discipline of sociology It looks at the movements of modernity and postmodernity in particular and how the odd and mutually anomalous combination of these compose the historical-specific representation of contemporary Indian society..
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