Books about Profane from Amazon.com

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Los Angeles Police Detective Peter Decker had grown very close to Rina's young sons, Sammy and Jake, as he had to their mother, and he looked forward to spending a day of his vacation camping with the boys. A nice reprieve from the grueling work of a homicide cop-until Sammy stumbles upon a gruesome sight...

Two human skeletons, charred beyond recognition, are identified by a forensic dentist as teenage girls--and for Decker, the father of a sixteen-year-old daughter, vacation time is over. Throwing himself professionally and emotionally into the murder case, he launches a very personal investigation: a quest that pulls him deep into the crack dens of Hollywood Boulevard and painfully close to the children of the streets and a nightmare world he must make his own..
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Sacred and profane love are related opposites; the one enjoyed renders the other necessary, so that the ever-unsatisfied heart swings constantly to and fro..
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James Shelby Downard, who died at the age of eighty-three in 1996, is one of the most compelling conspiracy theorists of the twentieth century.

Robert Anton Wilson wrote that Downard's "King-Kill" essay, regarding the involvement of Freemasons in the murder of John F. Kennedy, is "the most incredible Illuminati theory of them all." Marilyn Manson wrote a song based on "King-Kill 33," and even two rock bands, one in Atlanta and the other in Seattle, named themselves after Downard's piece.

The Carnivals of Life and Death is James Shelby Downard's thrilling life story, detailing the skullduggery and ritualism of the KKK and Freemasonry and how they imposed themselves on the young Downard and his family in Depression-era Deep-South America in the 1930s.

Editor Elana Freeland writes in her introduction, "Downard's tale is a piece of the puzzle of a very important period when networks of fraternal orders were front and center in consolidating techniques of sociopolitical control."
Interest in the hidden aspects of Freemasonry is reaching boiling point today, and James Shelby Downard's eagerly awaited contribution to this secretive and little-known aspect of American culture will be widely read and discussed.

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From the revelations of classical statuary pulled from the Roman soil as the popes began rebuilding the city in the fifteenth century, to the myth of serenity that Venice constructed to conceal its physical and political fragility, to bloody yet cultured Florence under the Medici, Ingrid Rowland traces the worldly, unworldly, and otherworldly strivings of artists, writers, popes, and politicians during that great "outburst of mental energy" we know as the Renaissance.

Here are Botticelli, whose illustrations for the Divine Comedy reveal him to be one of Dante's most careful readers; the multifaceted genius of Leonardo; the astonishing mastery of Titian and the erratic brilliance of artists like Correggio, Caravaggio, and Artemisia Gentileschi; the enigmatic erotic novel Hypnerotomachia Poliphili; the Western fascination with the mysteries of Egypt; and the glittering spiritual ferment of late Byzantium, which as it collapsed passed on so many ideas to Renaissance Italy.

But beyond its artistic accomplishments, Rowland writes, "Renaissance life at its most distinctive was the intangible, unworldly life of the mind." In her pages astronomers and astrologists, poets and philosophers, pornographers and prostitutes jostle for attention with painters and sculptors. Among them the inquisitive Jesuit scholar Athanasius Kircher stands out as a polymath who ranged over nearly every field of knowledge. Even though his commingling of scientific observation and hermetic symbolism is now obsolete, he remains for Rowland "a builder of connections who insisted on seeing harmony in the midst of disorder"—and thus one of the most exemplary Renaissance figures of all..
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This edition of renowned philosopher Frithjof Schuon's writings on the subject of art, selected and edited by his wife Catherine Schuon, contains over 270 photographs-200 color and 70 black and white. He then deals with the spiritual significance of the artistic productions of Christianity, Islam, Hinduism, Buddhism, and the Far-Eastern world, while also covering the subjects of beauty and the sense of the sacred, the crafts, poetry, music, and dance, and dress and ambience..
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Gerardus van der Leeuw was one of the first to attempt a rapprochement between theology and the arts, and his influence continues to be felt in what is now a burgeoning field. Sacred and Profane is the fullest expression of his pursuit of a theological aesthetics, surveying religion's relationship to all the arts -- dance, drama, literature, painting, sculpture, architecture, and music. This edition makes this seminal work, first published in Dutch in 1932, newly available. A new foreword by Diane Apostolos-Cappadona analyzes the continuing relevance of van der Leeuw's thought.
Van der Leeuw's impassioned and brilliant investigation of the relationship between the holy and the beautiful is founded upon the conviction that for too long the religious have failed to seriously contemplate the beautiful, associating it as they do with the kingdom of sensuality and impermanence. Similarly it has been alien to literati and aesthetes to reflect upon the holy, for they choose to consider this physical world to be permanent, and therefore to be glorified through beauty alone. In truth, as van der Leeuw undertakes to show in Sacred and Profane Beauty, the holy has never been absent from the arts, and the arts have never been unresponsive to the holy. Whether one considers the Homeric epics, the dancing Sivas and Vedic poems, the sacred wall paintings of ancient Egypt, the primitive mask, or the range of sacred arts developed out of Latin and Byzantine Christianity, primordial creation in the arts was always directed toward the symbolization and interpretation of the holy. The fact that in our day this original connection is obscured and the artistic impulse is more generally regarded as wholly individualistic and autonomous does not contradict van der Leeuw's thesis; indeed, the breakdown of the unity of the holy and the arts is central to his thesis.
Van der Leeuw was the rare thinker who combined profundity of insight, grace of style, and a willingness to take daring intellectual chances. In Sacred and Profane, he describes each of the arts in its original unity with the religious and then analyzes its historical disjunction and alienation. After a penetrating investigation of the structural elements within the arts which illumines a crucial dimension of the religious experience, van der Leeuw points toward the reemergence of an appropriate theological aesthetics on which a reunification of the arts could be founded..
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Lovejoy's search for a missing painting and a missing friend--Gesso the cat burglar--takes him on a wild adventure to the Channel Islands. He hopes to keep a low profile by masquerading as Jonno Rant, an island local, but that plan backfires when the local police start to keep tabs on him and the real Jonno Rant shows up. Can Lovejoy stay one step ahead of Rant and the police? Soon, just staying alive becomes a juggling act for the irrepressible Lovejoy.

"A welcome return of one of the most unusual characters in mysteryland."-- Publishers Weekly (starred review).
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated anthology includes critical essays by prominent philosophers, anthropologists, and art historians such as Gore Vidal, Faye Waddleton, Jean Baudrillard, Arthur C. Danto, Vito Mancuso, Michel Maffesoli, Pierre Riches, Julien Ries, Arturo Schwarz, and others..
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On the devadasi reform movement, in a political, social and religious context, India, 1857-1947. Focusses on women married to Hindu deities, with study of court cases, patriarchy, and Indian social values. A new informed work based on a variety of documents..
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