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In his provocative and compelling new book, America’s most widely read and most influential commentator casts his gimlet eye on our singular nation. Moving far beyond the strict confines of politics, George F. Will offers a fascinating look at the people, stories, and events–often unheralded–that make the American drama so endlessly entertaining and instructive.

With Will’s signature erudition and wry wit always on display, One Man’s America chronicles a spectacular, eclectic procession of figures who have shaped our cultural landscape–from Playboy founder Hugh Hefner to National Review founder William F. Buckley Jr., from Victorian poet Henry Wadsworth Longfellow to Beat poet Lawrence Ferlinghetti, from cotton picker— turned—country singer Buck Owens to actor-turned-president Ronald Reagan.

Will crisscrosses the country to illuminate what it is that makes America distinctive. He visits the USS Arizona memorial in Pearl Harbor and ponders its enduring links to the present. He travels to Milwaukee to celebrate the hundredth anniversary of an iconic brand, Harley-Davidson. In Los Angeles he finds the inspiring future of education, while in New York he confronts the dispiriting didacticism of the avant-garde. He ventures to the Civil War battlefields of Virginia to explore what we risk when we efface our own history. And on the outskirts of Chicago he investigates one of the darkest chapters in American history, only to discover a shining example of resilience and grace–the best the country has to offer.

Will’s wide lens takes in much more as well–everything from the “most emblematic novel of the 1930s” (and no, it is not about the Joads) to the cult of ESPN to Brooks Brothers and Ben & Jerry’s. And of course, One Man’s America would not be complete without the author’s insights on the national pastime, baseball–the icons and the cheats, the hapless and the greats.

Finally, in a personal and reflective turn, Will writes movingly of his thirty-five-year-old son Jon, born with Down syndrome, and pays loving and poignant tribute to his mother, who died at the age of ninety-eight after a long struggle with dementia.

The essays in One Man’s America, even when critiquing American culture, reflect Will’s deep affection and regard for our nation. After all, he notes, when America falls short, it does so only as compared to “the uniquely high standards it has set for itself.” In the end, this brilliantly informative and entertaining book reminds us of the enduring value of “the simple virtues and decencies that can make communities flourish and that have made America great and exemplary.”.
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The purpose of this new collection is two fold. First, to make Kierkegaard accessible; second, to present in as concise a way possible his "heart," his core themes, and his passion. Divided into six sections, Provocations contains a little of everything from Kierkegaard's prodigious output, including his famously cantankerous (yet wryly humorous) attacks on what he calls the "mediocre shell" of conventional Christianity, his brilliantly pithy parables, and his incisive attempts to dig through the fluff of theology and clear a way for the basics: decisiveness, obedience,and recognition of the truth.

Arguably the most accessible Kierkegaard volume to be published in decades, Provocations is a must for every serious reader. Indeed, the wealth of sayings and aphorisms collected in one of the sections is reason enough to buy the book..
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A lucid deconstruction of the politics and public figures shaping the social, financial, and military disasters of our times.

This selection of Michael Kinsley's trenchant editorial writing in Slate (and elsewhere) since 1995 covers the end of the Clinton era (Monica, impeachment, etc.) and two terms of George W. Bush (9/11, the War on Terror, Iraq, etc.).

During this time Kinsley left Washington for Seattle and founded Slate, was opinion editor of the Los Angeles Times, underwent brain surgery for Parkinson's disease, and had other adventures that are reflected here. Although mostly about politics, there are articles and essays about other things, such as the future of newspapers, the existence of God, and why power women love Law and Order.

This is the work of a writer at the top of his form. Kinsley's wit is a weapon that any talk-show host or elected blowhard should envy and fear, and the reader will cherish his sense of humor, which enlivens even the toughest subject matter..
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The Cold War ended with an exhilarating wave of events: the toppling of the Berlin Wall, the rise of the dissident poet Vaclav Havel, the revolution in Romania Americans rejoiced at the dramatic conclusion of the long struggle. "But victories in wars--hot or cold--tend to unfocus the mind," writes John Gaddis. "It can be a dangerous thing to have achieved one's objectives, because one then has to decide what to do next." In The United States and the End of the Cold War, Gaddis provides a sharp focus on the long history of the Cold War, shedding new light on its sudden ending, as well as on what might come next.
In this provocative, insightful book, Gaddis offers a number of thoughtful essays on the history of international relations during the last half century. His reassessments of important figures and themes from the Cold War are sometimes surprising. For example, he portrays John Foster Dulles and Ronald Reagan as far more flexible and perceptive statesmen than the missile-toting caricatures depicted in editorial cartoons. And he takes a second look at the importance of espionage and intelligence in Cold War history, a field often left to buffs and spy novelists. Most important, he focuses on the central elements in superpower relations. In an eloquent account of the American style of foreign policy in the twentieth century, for instance, he explores how Americans (having learned the lesson of Adolf Hitler) consistently equated the forms of foreign governments with their external behavior, assuming that authoritarian states would be aggressive states. He also analyzes the "tectonics" of Cold War history, demonstrating how long term changes in international affairs and Soviet bloc countries built up pressures that led to the sudden earthquakes of 1989. And along the way, Gaddis illuminates such topics as the role of morality in American foreign policy, the relevance of nuclear weapons to the balance of power, and the objectives of containment. He even includes (and criticizes) an essay entitled, "How the Cold War Might End," written before the dramatic events of recent years, to demonstrate how quickly the tide of history can overwhelm contemporary analysis. Gaddis concludes with a thoughtful consideration of the problems and forces at work in the post-Cold War world.
Author of such works as The Long Peace and Strategies of Containment, John Lewis Gaddis is one of the leading authorities on postwar American foreign policy. In these perceptive, highly readable essays, he provides a fresh assessment of the evolution of the Cold War, and insight into the shape of things to come..
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As children of feuding Derbyshire landowners, Mary Penley and Kit Stansell eloped against their families' wishes. But neither their ardor nor their marriage could survive their own restless natures. Nine years later, Kit is a rising star in the military while Mary has made her way in a raffish, intellectual society of poets and reformers. A chance meeting re-ignites their passion, but still they have very different values. Yet when Kit uncovers a political conspiracy that threatens all of England, they agree to put their differences aside. Amid danger and disillusionment, Kit and Mary rediscover the bonds that are stronger than time, the selves who have never really parted-and the love that is their destiny..
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Renowned social critic Theodore Roszak articulates a biting critique of the American political and cultural scene dating back to the conservative backlash of the Reagan presidency. World, Beware! analyzes three major forces that have coalesced to produce the triumphalist policies that now dominate U.S. politics: the corporate elite, the neoconservative intelligentsia, and the fundamentalist churches. Roszak calls for a new "global constituency" that would rein in the superpower's excesses, and promotes a dialogue on the future of industrialism. Fuel to resist the neoconservative assault..
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"Best of Category", General Trade Nonillustrated, in the 2008 New England Book Show sponsored by Bookbuilders of Boston. and Winner, Jackets and Covers Category, 2007 AAUP Book, Journal, and Jacket Show.

Who is with me is against me.—Francis Picabia

Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, Andre Breton called Picabia one of the only "true" Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator.

Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. His early poetry, with its uncompromising disregard for literary convention and readerly expectation, seems to anticipate Dada; His Dada manifestos are alternately engaging and insufferable. Picabia's later poems are more troublesome critically, given their wholesale borrowing and manipulation of Nietzsche. I Am a Beautiful Monster painstakingly documents Picabia's hitherto undocumented appropriations from Nietzsche's work.

For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddeningin their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura.

I Am a Beautiful Monster provides the texts of all of Picabia's significant publications, his books Fifty-two Mirrors, Poems and Drawings of the Daughter Born without a Mother, Purring Poetry, Unique Eunuch, Yes No, Chi-lo-sa, Thoughts without Language, and others, all presented complete, many of them accompanied by their original illustrations.

More poetry from Picabia:

IN ORDER TO LOVE
SOMETHING YOU HAVE TO
HAVE SEEN IT OR HEARD IT

FOR A LONG TIME YOU BUNCH OF IDIOTS

[...]
I saw me
onion soup
cracked like a gong
big discount
[...].
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