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Arrow to the Sun: A Pueblo Indian Tale (Picture Puffin)
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Pueblos, Spaniards, and The Kingdom of New Mexico
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In Search of the Old Ones
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Small Adobe House, The
Building or remodeling an adobe house is an artistic endeavor, with all the satisfaction—and occasional frustration—of any artistic effort. But once you’ve lived sheltered by adobe walls, you won’t want anything else. Introducing the traditional ins and outs of each architectural element—roofs and ceilings, doors, windows, floors, walls, and portals--The Small Adobe House is both an introduction to adobe structures and an idea book for people who want to remodel a classic home or build a new one. Beyond the basics, Reeve and Reck illustrate possibilities for frills, show that any kind of interior décor is accepted by adobe walls, and give examples of contemporary innovations in adobe houses. The final word on the small adobe house is that it combines the best of several elements: comfort, adaptability, tradition, and almost limitless possibilities for expansion and personal expression. Agnesa Reeve’s informed commentary and Robert Reck’s exquisite photographs combine to create a magical adobe experience. Agnesa Reeve, a historian, is past president of the Historic Santa Fe Foundation. Her writings about southwestern architecture and cuisine have been published in journals, and her books include From Hacienda to Bungalow (UNM Press, 1988) and Cooking with a Handful of Ingredients (Cimarron Press, 1993). She lives in Santa Fe. Robert Reck is a contributing photographer to Architectural Digest and has been published in most of the major architectural journals worldwide, including Architecture, Architectural Record, A+U, and Hauser. He was the lead photographer for the book Santa Fe Style and has significantly contributed to the monographs of many preeminent architects, including Antoine Predock and Robert A. M. Stern..
Price: $13.10
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Ancient Peoples of the American Southwest, Second Edition (Ancient Peoples and Places)
"A graphic, lucid account of the Anasazi, Hohokam, and Mogollon highlights how these ancient cultures evolved so successfully in response to their changing habitat."—Science NewsMost people are familiar with the famous pre-Columbian civilizations of the Aztecs and Maya of Mexico, but few realize just how advanced were contemporary cultures in the American Southwest. Here lie some of the most remarkable monuments of America's prehistoric past, such as Chaco Canyon and Mesa Verde. Ten thousand years ago, humans first colonized this seemingly inhospitable landscape with its scorching hot deserts and upland areas that drop below freezing even during the early summer months. The initial hunter-gatherer bands gradually adapted to become sedentary village groups. The high point of Southwestern civilization was reached with the emergence of cultures known as Anasazi, Hohokam, and Mogollon in the first millennium AD. Interweaving the latest archaeological evidence with early first-person accounts, Stephen Plog explains the rise and mysterious fall of Southwestern cultures. For this revised edition, he discusses new research and its implications for our understanding of the prehistoric Southwest. As he concludes, the Southwest is still home to vibrant Native American communities who carry on many of the old traditions. 150 illustrations, 17 in color..
Price: $7.90
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When Jesus Came, the Corn Mothers Went Away: Marriage, Sexuality, and Power in New Mexico, 1500-1846
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Sandstone Spine: Seeking the Anasazi on the First Traverse of the Comb Ridge
Three friends bound by love of the Southwest’s canyonlands undertake the first traverse of the Comb Ridge, in search of the lost civilization of the Anasazi • A cultural pilgrimage as well as an athletic one • Story blends personal adventure, middle-aged angst, the beauty of a landscape, history of exploration, and mysteries of the rise and fall of an ancient culture • By a critically acclaimed travel and adventure writer also famous for his exploits in Alaska’s mountains • Includes photos by Greg Child of the landscape, Anasazi and Navajo ruins and rock art On September 1, 2004, three middle-aged buddies set out on one of the last geographic challenges never before attempted in North America: to hike the Comb Ridge in one continuous push. The Comb is an upthrust ridge of sandstone—virtually a mini-mountain range—that stretches almost unbroken for a hundred miles from just east of Kayenta, Arizona, to some ten miles west of Blanding, Utah. To hike the Comb is to run a gauntlet of up-and-down severities, with the precipice lurking on one hand, the fiendishly convoluted bedrock slab on the other—always at a sideways, ankle-wrenching pitch. There is not a single mile of established trail in the Comb’s hundred-mile reach. The friends were David Roberts, writer, adventurer, famed mountaineer of decades past, at age 61 the graybeard of the bunch; Greg Child, renowned mountaineer and rock climber, age 47; and Vaughn Hadenfeldt, a wilderness guide intimately acquainted with the canyonlands, age 53. They came to the Comb not only for the physical challenge, but to seek out seldom-visited ruins and rock art of the mysterious Anasazi culture. Each brought his own emotions on the journey; the Comb Ridge would test their friendship in ways they had never before experienced. Searching for the stray arrowhead half-smothered in the sand or for the faint markings on a far sandstone boulder that betokened a little-known rock art panel, becomes a competitive sport for the three friends. Along the way, they ponder the mystery, bringing the accounts of early and modern explorers and archaeologists to bear: Who were the vanished Indians who built these inaccessible cliff dwellings and pueblos, often hidden from view? Of whom were they afraid and why? What caused them to suddenly abandon their settlements around 1300 AD? What meaning can be ascribed to their phantasmagoric rock art? What was their relationship to the Navajo, who were convinced the Anasazi had magical powers and could fly? DAVID ROBERTS is the author of On the Ridge Between Life & Death, Escape From Lucania, In Search of the Old Ones, and Escape Routes among other titles. His adventure and travel writing have appeared in Outside, National Geographic Adventure, The New York Times, and other publications..
Price: $14.65
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Talking With the Clay: The Art of Pueblo Pottery
Stephen Trimble conveys the beauty and fine craftsmanship of Pueblo Indian pottery and shows how pottery making is closely connected to the Pueblos' beliefs, their ties to the land, their role in the modern economic world, and their feelings of identity. With over 75 photographs, Talking with the Clay illustrates all the major pottery types, from the glittering micaceous of Taos and Picuris to the red and gold polychromes of Hopi..
Price: $9.99
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Fourteen Families in Pueblo Pottery
In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven—the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)—the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), th Medina family (Zia). and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest..
Price: $17.95
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