Books about Rhythmic from Amazon.com



Rhythmic Training
A continuation of Basic Rhythmic Training, this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm. The exercises begin very simply and proceed to more complex meters, beat divisions and polyrhythms. The book can be used as a supplement to any method, or as a drill book for the musician who wishes to solidify and expand his/her rhythmic abilities..
Price: $5.27 [Notify me when price goes down.]


The Drummer: 100 Years of Rhythmic Power and Invention
This is the first book to tell the complete tale of the modern drumset masters. A century of drumming is covered: from the founding fathers of jazz, to today's athletic, mind-altering rhythm wizards. Twenty "drum gods" - Buddy Rich, John Bonham, Keith Moon, Elvin Jones, Max Roach and others are featured..
Price: $18.43 [Notify me when price goes down.]


Bal-A-Vis-X : Rhythmic Balance/Auditory/Vision eXercises for Brain and Brain-Body Integration
Bal-A-Vis-X is a series of Balance/Auditory/Vision eXercises of varied complexity, most of which are deeply rooted in rhythm. These exercises require full-body coordination and focused attention.

The Bal-A-Vis-X program utilizes racquetballs, sand-filled beanbags, balance boards, and multiple principles from Educational Kinesiology. It demands cooperation, promotes self-challenge, fosters peer teaching. It is school-friendly and just plain fun.

Part One, THE STORY, is a narrative, experiential account of this program's evolutionary development over 20 years in public school classrooms. The reader is a silent witness to one teacher's trial-and-error journey, in grades 1 though 8, FROM an uninformed, intuitive grasp of some link between physical and mental (in)abilities TO assimilation of the most recent brain research and theory, especially as applied to physical movement's crucial connection to cognitive function. Along the way the reader will encounter, with him, the many people and ideas which lead to understanding, then point the way to Bal-A-Vis-X.

This is also a story of hundreds of students, in particular the Lab Kids of Hadley Middle School in Wichita, KS where the Bal-A-Vis-X program was born in 1997. Both annecdotal and "hard" test data accompany their collective/individual stories.

Part Two is a series of accounts by educators and parents who have personal experience in the use of Bal-A-Vis-X.

Part Three consists of step-by-step instructions for the more than 200 Bal-A-Vis-X exercises..
Price: $25.00 [Notify me when price goes down.]



Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music
Solkattu, the spoken rhythms and patterns of hand-clapping used by all musicians and dancers in the classical traditions of South India, is a subject of worldwide interest--but until now there has not been a textbook for students new to the practice. Designed especially for classroom use in a Western setting, the manual begins with rudimentary lessons in the simplest South Indian tala, or metric cycle, and proceeds step-by-step into more challenging material. The book then provides lessons in the eight-beat adi tala, arranged so that by the end, students will have learned a full percussion piece they can perform as an ensemble. Solkattu Manual includes two DVDs featuring performances of all 150 lessons, and full performances of all three of the outlined small-ensemble pieces. Ideal for courses in world music and general musicianship, as well as independent study. Book lies flat for easy use..
Price: $21.92 [Notify me when price goes down.]


Odd Time Reading Text: For All Instruments : Rhythmic Studies Designed to Develop Accuracy and Speed in Sight Reading As Applied to Odd Time Signatures
Now a standard in music education literature, this in-depth study takes the fear out of playing in time signatures other than 4/4. In a methodical manner, this book aids in rounding out any player's rhythmic and reading vocabulary. Perfect for all musicians wanting to play odd times with ease..
Price: $13.31 [Notify me when price goes down.]


Jazz Improvisation 1: Tonal And Rhythmic Principles (Jazz Improvisation)
The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie..
Price: $12.90 [Notify me when price goes down.]


Harmonic Healing: A Guide to Facilitated Oscillatory Release and Other Rhythmic Myofascial Techniques
Connective tissue release, or myofascial release, is a major component of manual therapies, including osteopathic medicine Most methods involve placing the patient in a passive, relaxed position for diagnosis and treatment. However, many practitioners have intuitively sensed that rhythmic motion should be a component of therapy, and increasingly include it in their practice. Harmonic Healing introduces such an application of connective tissue principles, which author Dr. Zachary Comeaux calls Facilitated Oscillatory Release (FOR).

The book reviews the role of oscillatory or vibratory work as an extension of other connective tissue techniques, explains the relevant physiology and the principles of wave propagation in tissue, and then provides illustrated introductory exercises, applications, and case studies. Building on the work of his mentor, Robert Fulford, to get more deeply into the core of patients’ injuries, Dr. Comeaux presents FOR as a lens through which to reinterpret the strategic use of force in manual therapy, including osteopathic manipulation. Based on both his clinical experience and neurophysiology principles, the author develops practical applications of these principles. These methods are compatible with generally accepted manual methods, and Harmonic Healing shows students, advanced practitioners, bodyworkers, and osteopaths how to integrate FOR into a variety of manual healing approaches..
Price: $13.43 [Notify me when price goes down.]


The Rhythmic Structure of Music (Phoenix Books)
In this influential book on the subject of rhythm, the authors develop a theoretical framework based essentially on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm, with exercises for the student's own work.

"This is a path-breaking work, important alike to music students and teachers, but it will make profitable reading for performers, too."—New York Times Book Review

"When at some future time theories of rhythm . . . are . . . as well understood, and as much discussed as theories of harmony and counterpoint . . . they will rest in no small measure on the foundations laid by Cooper and Meyer in this provocative dissertation on the rhythmic structure of music."—Notes

". . . . a significant, courageous and, on the whole, successful attempt to deal with a very controversial and neglected subject. Certainly no one who takes the time to read it will emerge from the experience unchanged or unmoved."—Journal of Music Theory

The late GROSVENOR W. COOPER, author of Learning to Listen, was professor of music at the University of California at Santa Cruz.
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Price: $20.00 [Notify me when price goes down.]


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