Suggesting that
sentimental novels, films, and TV
melodramas are guided by an
ambivalent and
sadoerotic sympathy, this book shows
sympathetic sentiments to be
cultural formulations of male desire, and sympathy itself to be the embodiment of a controlling gaze. In a playful but historically persuasive linkage of diverse texts, Laura Hinton shows how sympathetic spectators love their victims and, in the process, maintain authoritarian codes of sexual and racial difference..
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