Books about Scandal from Amazon.com

John Perkins started and stopped writing Confessions of an Economic Hit Man four times over 20 years. He says he was threatened and bribed in an effort to kill the project, but after 9/11 he finally decided to go through with this expose of his former professional life. Perkins, a former chief economist at Boston strategic-consulting firm Chas. T. Main, says he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business. "Economic hit men (EHMs) are highly paid professionals who cheat countries around the globe out of trillions of dollars," Perkins writes. Confessions of an Economic Hit Man is an extraordinary and gripping tale of intrigue and dark machinations. Think John Le Carré, except it's a true story.

Perkins writes that his economic projections cooked the books Enron-style to convince foreign governments to accept billions of dollars of loans from the World Bank and other institutions to build dams, airports, electric grids, and other infrastructure he knew they couldn't afford. The loans were given on condition that construction and engineering contracts went to U.S. companies. Often, the money would simply be transferred from one bank account in Washington, D.C., to another one in New York or San Francisco. The deals were smoothed over with bribes for foreign officials, but it was the taxpayers in the foreign countries who had to pay back the loans. When their governments couldn't do so, as was often the case, the U.S. or its henchmen at the World Bank or International Monetary Fund would step in and essentially place the country in trusteeship, dictating everything from its spending budget to security agreements and even its United Nations votes. It was, Perkins writes, a clever way for the U.S. to expand its "empire" at the expense of Third World citizens. While at times he seems a little overly focused on conspiracies, perhaps that's not surprising considering the life he's led. --Alex Roslin.
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For most Americans, the word NASA suggests a squeaky-clean image of technological infallibility.

Yet the truth is that NASA was born in a lie, and has concealed the truths about its occult origins Dark Mission documents this seemingly wild assertion.

Why is the Bush administration intent on returning to the moon as quickly as possible? What are the reasons for the current “space race” with China, Russia, even India? Remarkable images reproduced within this book provided to author Richard C. Hoagland by disaffected NASA employees provide clues why, including information about suppressed lunar discoveries.

Mystical organizations quietly dominate NASA, carrying out their own secret agendas behind the scenes. This is the story of men at the very fringes of rational thought and conventional wisdom, operating at the highest levels of our country. Their policies are far more aligned with ancient religions and secret mystery schools than the facade of rational science NASA has successfully promoted to the world for almost fifty years.

Dark Mission is proof of the secret history of the National Aeronautics and Space Administration and the astonishing, seminal discoveries it has repeatedly suppressed for decades.

Richard C. Hoagland is the former science advisor to CBS News, author of The Monuments of Mars, and a frequent guest on the popular radio programs Coast To Coast and The Art Bell Show.

Mike Bara is a consulting engineer for Boeing aircraft. This is his first book.

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Steve Coll's Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden, from the Soviet Invasion to September 10, 2001 offers revealing details of the CIA's involvement in the evolution of the Taliban and Al Qaeda in the years before the September 11 attacks. From the beginning, Coll shows how the CIA's on-again, off-again engagement with Afghanistan after the end of the Soviet war left officials at Langley with inadequate resources and intelligence to appreciate the emerging power of the Taliban. He also demonstrates how Afghanistan became a deadly playing field for international politics where Soviet, Pakistani, and U.S. agents armed and trained a succession of warring factions. At the same time, the book, though opinionated, is not solely a critique of the agency. Coll balances accounts of CIA failures with the success stories, like the capture of Mir Amal Kasi. Coll, managing editor for the Washington Post, covered Afghanistan from 1989 to 1992. He demonstrates unprecedented access to records of White House meetings and to formerly classified material, and his command of Saudi, Pakistani, and Afghani politics is impressive. He also provides a seeming insider's perspective on personalities like George Tenet, William Casey, and anti-terrorism czar, Richard Clarke ("who seemed to wield enormous power precisely because hardly anyone knew who he was or what exactly he did for a living"). Coll manages to weave his research into a narrative that sometimes has the feel of a Tom Clancy novel yet never crosses into excess. While comprehensive, Coll's book may be hard going for those looking for a direct account of the events leading to the 9-11 attacks. The CIA's 1998 engagement with bin Laden as a target for capture begins a full two-thirds of the way into Ghost Wars, only after a lengthy march through developments during the Carter, Reagan, and early Clinton Presidencies. But this is not a critique of Coll's efforts; just a warning that some stamina is required to keep up. Ghost Wars is a complex study of intelligence operations and an invaluable resource for those seeking a nuanced understanding of how a small band of extremists rose to inflict incalculable damage on American soil. --Patrick O'Kelley.
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Light and funny, with a bitter aftertaste, the action of Sellevision takes place behind the scenes (and on the set) of a successful television shopping network, where a feminine role model, Peggy Jean Smythe, the married, Christian mother of three, begins receiving suspicious e-mail from a viewer who insists that Peggy's hairy earlobe is obscuring her presentation of jewelry during the broadcast. When Peggy fails to respond to the e-mail, but silently waxes her lobe, the cruel notes escalate, until Peggy believes herself to be suffering from a hormonal crisis that has given her a mustache, a gruff voice, and the manner of a lumberjack. Meanwhile, one of her cohosts, Max Andrews, has been fired for accidentally exposing himself during a children's special, and learns just how undesirable a commodity a penis-baring ex-Sellevision host can be on the job market. The book is an unusually smooth read for a first novel, with six or seven truly inspired lines. --Regina Marler.
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A surprising and scandalous story of how the interaction within a group of exceptional and uniquely talented characters shaped and changed American thought

At the close of the Civil War, the United States took a deep breath to lick wounds and consider the damage done. A Summer of Hummingbirds reveals how, at that tender moment, the lives of some of our most noted writers, poets, and artists-including Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade-intersected to make sense of it all. Renowned critic Christopher Benfey maps the intricate web of friendship, family, and romance that connects these larger than life personalities to one another, and in doing so discovers a unique moment in the development of American character.

In this meticulously researched and creatively imagined work, Benfey takes the seemingly arbitrary image of the hummingbird and traces its "route of evanescence" as it travels in circles to and from the creative wellsprings of the age: from the naturalist writings of abolitionist Thomas Wentworth Higginson to the poems of his wayward pupil Emily Dickinson; into the mind of Henry Ward Beecher and within the writings and paintings of his famous sister, Harriet Beecher Stowe. A Summer of Hummingbirds unveils how, through the art of these great thinkers, the hummingbird became the symbol of an era, an image through which they could explore their controversial (and often contradictory) ideas of nature, religion, sexuality, family, time, exoticism, and beauty.

Benfey's complex tale of interconnection comes to an apex in Amherst, Massachusetts, during the summer of 1882, a time when loyalties were betrayed and thoughts exchanged with the speed of a hummingbird's wings. Here in the wake of the very public Henry Ward Beecher and Elizabeth Tilton sex scandal, Mabel Loomis Todd-the young and beautiful protŽgŽe to the hummingbird painter Martin Johnson Heade-begins an affair with Austin Dickinson and leaves her mentor heartbroken; Emily Dickinson is found in the arms of her father's friend Judge Otis Lord, and that's not all.

As infidelity and lust run rampant, the incendiary ghost of Lord Byron is evoked, and the characters of A Summer of Hummingbirds find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a romantic, unconventional world in which nature prevails and freedom is all..
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In 9/11 Contradictions, David Ray Griffin shows that the official story about 9/11 is riddled with internal contradictions. Two contradictory statements cannot both be true. These contradictions show, therefore, that individuals and agencies articulating the official story of 9/11 have made many false statements. Congress and the press clearly should ask which of the contradictory statements are false and why they were made.

This book is purely factual, simply laying out the fact that these internal contradictions exist. As such, the book contains no theory. Politicians and journalists who deal with the issues raised herein, therefore, will not be giving credence to some "conspiracy theory" about 9/11. They will simply be carrying out their duty to ask why the official story about 9/11, arguably the most fateful event of our time, is riddled with so many contradictions..
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