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The Scapegoat
"Someone jolted my elbow as I drank and said, 'Je vous demande pardon,' and as I moved to give him space he turned and stared at me and I at him, and I realized, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well.
I was looking at myself."
Two men--one English, the other French--meet by chance in a provincial railway station and are astounded that they are so much alike that they could easily pass for each other. Over the course of a long evening, they talk and drink. It is not until he awakes the next day that John, the Englishman, realizes that he may have spoken too much. His French companion is gone, having stolen his identity. For his part, John has no choice but to take the Frenchman's place--as master of a chateau, director of a failing business, head of a large and embittered family, and keeper of too many secrets.
Loaded with suspense and crackling wit, The Scapegoat tells the double story of the attempts by John, the imposter, to escape detection by the family, servants, and several mistresses of his alter ego, and of his constant and frustrating efforts to unravel the mystery of the enigmatic past that dominates the existence of all who live in the chateau.
Hailed by the New York Times as a masterpiece of "artfully compulsive storytelling," The Scapegoat brings us Daphne du Maurier at the very top of her form. .
Price: $14.57
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Scapegoats of the Empire: The True Story of Breaker Morant's Bushveldt Carbineers
High quality reprint of Witton's scathing political indictment of the British Empire, originally published in 1907. The story was made into a movie in 1980, "Breaker Morant," starring Edward Woodward, Lewis Fitz-Gerald, and Jack Thompson. 240 pp. printed on cream acid-free paper. Illustrated with half-tone photographs. First Clock & Rose trade edition in paperback, preceded by a limited edition of 1,000, individually numbered, and first trade edition in hardcover. Published and printed in the USA. Mint condition..
Price: $28.99
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The Redneck Manifesto: How Hillbillies, Hicks, and White Trash Became America's Scapegoats
Culture maverick Jim Goad presents a thoroughly reasoned, darkly funny, and rampagingly angry defense of America's most maligned social group -- the cultural clan variously referred to as rednecks, hillbillies, white trash, crackers, and trailer trash. As The Redneck Manifesto boldly points out and brilliantly demonstrates, America's dirty little secret isn't racism but classism. While pouncing incessantly on racial themes, most major media are silent about America's widening class rifts, a problem that negatively affects more people of all colors than does racism. With an unmatched ability for rubbing salt in cultural wounds, Jim Goad deftly dismantles most popular American notions about race and culture and takes a sledgehammer to our delicate glass-blown popular conceptions of government, religion, media, and history. .
Price: $4.98
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Answer Me!: The First Three
ANSWER Me! is a big black slab of trouble Originally released as a series of magazines, then a collected edition which sold thousands before going out of print, ANSWER Me! has been blamed for a White House shooting and a triple suicide It has been banned in several countries and put on trial for obscenity in the USA. Chock full of well-written rants, interviews, and articles on topics ranging from music and subcultures to sex, love, hate, murder, serial killers, and suicide, this fat, gorgeous anthology contains the legendary rant-zine's first three issues in their entirety. It also contains sixty new pages of wistful ANSWER Me! memories and tasty new articles written by philanthropist and humanitarian Jim Goad. There's a strong chance that this is the best book ever published. Only an idiot would refuse to buy it. ANSWER Me! was so wonderful because it reminded me of when my uncle Joey turned me on to National Lampoon when I was eight years old. After National Lampoon I was always looking for uglier forms of humor, and then comes along ANSWER Me! -- Shaun Partridge, Partridge Family Temple ANSWER Me! is a nasty little book ... more than worth its cover price for the jaw dropping serial killer and suicide guides. -- debased.com.
Price: $16.46
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Androphilia: Rejecting the Gay Identity, Reclaiming Masculinity
The word gay has never described mere homosexuality Gay is a subculture, a slur, a set of gestures, a slang, a look, a posture, a parade, a rainbow flag, a film genre, a taste in music, a hairstyle, a marketing demographic, a bumper sticker, a political agenda and philosophical viewpoint. Gay is a pre-packaged, superficial persona--a lifestyle. It's a sexual identity that has almost nothing to do with sexuality. Androphilia is a rejection of the overloaded gay identity and a return to a discussion of homosexuality in terms of desire: a raw, apolitical sexual desire and the sexualized appreciation for masculinity as experienced by men. The gay sensiblility is a near-oblivious embrace of a castrating slur, the nonstop celebration of an age-old, emasulating stimga applied to men who engaged in homosexual acts. Gays and radical queers imagine that they challenge the status quo, but in appropriating the stigma of effeminacy, they merely conform to and confirm long-established expectations. Men who love men have been paradoxically cast as the enemies of masculinity--slaves to the feminist pipe dream of a 'gender-neutral' (read: anti-male, pro-female) world. Androphlia is a manifesto full of truly dangerous ideas: that men can have sex with men and retain their manhood, that homosexuality can be about championing a masculine ideal rather than attacking it, and that the wicked, oppressive 'construct of masculinity' despised by the gay community could actually enrich and improve the lives of homosexual and bisexual men. Androphilia is for those men who never really bought what the gay community was selling; it's a challenge to leave the gay world completely behind and to rejoin the world of men, unapologetically, as androphliles, but more importantly, as men..
Price: $6.50
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Discovering Girard
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