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Writing to Cuba: Filibustering and Cuban Exiles in the United States (Envisioning Cuba)
In the mid-nineteenth century, some of Cuba's most influential writers settled in U.S. cities and published a variety of newspapers, pamphlets, and books. Collaborating with military movements known as filibusters, this generation of exiled writers created a body of literature demanding Cuban independence from Spain and alliance with or annexation to the United States.

Drawing from rare materials in the United States and Havana, Rodrigo Lazo offers new readings of work by writers such as Cirilo Villaverde, Juan Clemente Zenea, Pedro Santacilia, and Miguel T. Tol³n. Lazo argues that to understand these writers and their publications, we must move beyond nation-based models of literary study and consider their connections to both Cuba and the United States. Anchored by the publication of Spanish- and English-language newspapers in the United States, the transnational culture of writers Lazo calls los filibusteros went hand in hand with a long-standing economic flow between the countries and was spurred on by the writers' belief in the American promise of freedom and the hemispheric ambitions of the expansionist U.S. government. Analyzing how U.S. politicians, journalists, and novelists debated the future of Cuba, Lazo argues that the war of words carried out in Cuban-U.S. print culture played a significant role in developing nineteenth-century conceptions of territory, colonialism, and citizenship..
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Publishing the Family (New Americanists)
In Publishing the Family June Howard turns a study of the collaborative novel The Whole Family into a lens through which to examine American literature and culture at the beginning of the twentieth century. Striving to do equal justice to historical particulars and the broad horizons of social change, Howard reconsiders such categories of analysis as authorship, genre, and periodization. In the process, she offers a new method for cultural studies and American studies at the beginning of the twenty-first century.
Publishing the Family describes the sources and controversial outcome of a fascinating literary experiment. Howard embeds the story of The Whole Family in the story of Harper & Brothers’ powerful and pervasive presence in American cultural life, treating the publisher, in effect, as an author.
Each chapter of Publishing the Family casts light on some aspect of life in the United States at a moment that arguably marked the beginning of our own era. Howard revises common views of the turn-of-the-century literary marketplace and discusses the perceived crisis in the family as well as the popular and expert discourses that emerged to remedy it. She also demonstrates how creative women like Bazar editor Elizabeth Jordan blended their own ideas about the “New Woman” with traditional values. Howard places these analyses in the framework of far-reaching historical changes, such as the transformation of the public meaning of emotion and “sentimentality.” Taken together, the chapters in Publishing the Family show how profoundly the modern mapping of social life relies on boundaries between family and business, culture and commerce, which The Whole Family and Publishing the Family constantly unsettle.
Publishing the Family will interest students and scholars of American history, literature, and culture, as well as those studying gender, sexuality, and the family.
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Science Serialized: Representations of the Sciences in Nineteenth-Century Periodicals (Dibner Institute Studies in the History of Science and Technology)
Nineteenth-century Britain saw an explosion of periodical literature, with the publication of over 100,000 different magazines and newspapers for a growing market of eager readers. The Victorian periodical press became an important medium for the dissemination of scientific ideas. Every major scientific advance in the nineteenth century was trumpeted and analyzed in periodicals ranging from intellectual quarterlies such as the Edinburgh Review to popular weeklies like the Mirror of Literature, from religious periodicals such as the Evangelical Magazine to the atheistic Oracle of Reason. Scientific articles appeared side by side with the latest fiction or political reporting, while articles on nonscientific topics and serialized novels invoked scientific theories or used analogies drawn from science.

The essays collected in Science Serialized examine the variety of ways in which the nineteenth-century periodical press represented science to both general and specialized readerships. They explore the role of scientific controversy in the press and the cultural politics of publication. Subject range from the presentation of botany in women's magazines to the highly public dispute between Darwin and Samuel Butler, and from discussions of the mind-body problem to those of energy physics. Contributors include leading scholars in the fields of history of science and literature: Ann B. Shteir, Jonathan Topham, Frank A. J. L. James, Roger Smith, Graeme Gooday, Crosbie Smith, Ian Higginson, Gillian Beer, Bernard Lightman, Helen Small, Gowan Dawson, Jonathan Smith, James G. Paradis, and Harriet Ritvo..
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Hotline Healers: An Almost Browne Novel
This satirical tour de force teases readers out of a complacent acceptance of romantic stereotypes..
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Only the End of the World Again
Fan-favorite author Neil "Sandman" Gaiman took on the science of lycanthropy with his Only the End of the World Again, a serialized story that was later collected by Oni Press. In it, we meet Lawrence Talbot, an adjuster who has set up shop in Innsmouth, a dark, mysterious town with a rich history of magic and evil. When the local overweight gentleman exclaims that the world is ending and that the instrument of destruction is a werewolf, Talbot is thrown into a turbulent and spooky adventure. What's made even more exciting (for readers, not for Talbot), is that our protagonist may turn out to be the werewolf himself. Filled with Gaiman's trademark genius, the story, as short as it may be, is a monster tale for the ages..
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Making it up on deadline: New York Newsday's serial fiction.: An article from: Columbia Journalism Review
This digital document is an article from Columbia Journalism Review, published by Columbia University, Graduate School of Journalism on September 1, 1994. The length of the article is 706 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the supplier: New York Newsday is installing a serial fiction piece entitled Streets of Fire that focuses on New York's immigrant Latinos. The series, which will span 64 parts, is written by Soledad Santiago, an author and activist who is familiar with the city's politics and its Latino community. Reader response indicates that the serial has wide ethnic appeal despite its focus on Latinos. However, it has much greater appeal for women than for men. The paper's publishers are happy to regain a portion of their lost female readership.

Citation Details
Title: Making it up on deadline: New York Newsday's serial fiction.
Author: Aileen Soper
Publication:Columbia Journalism Review (Refereed)
Date: September 1, 1994
Publisher: Columbia University, Graduate School of Journalism
Volume: v33 Issue: n3 Page: p17(3)

Distributed by Thomson Gale.
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