Books about Shibori from Amazon.com

An ancient Japanese art dating to at least the eighth century CE, shibori has many interpretations Though there is no direct translation of the word to English, shibori essentially denotes a shaped-resist textile, and is commonly associated with weaving and dyeing fiber. The world of shibori knitting is vast and relatively unexplored.

Shibori Knits highlights the intersection between shibori and knitting, offering 20 patterns that utilize this transformative technique. Internationally acclaimed knitwear designer Gina Wilde guides knitters through three dynamic ways to add shibori to knitting. The first method uses physical resists (marbles or corks) that prevent specific areas of knitting from felting; where there are no resists, the garment does felt, creating unique fabric with bobbles and dimensionality. Another method uses nonfelting fibers as resists—for instance, a silk yarn knit with a wool yarn—to create windowpane effects or even mimic woven strips of fabric when felted. The third method creates ruffles and spirals when the fibers are worked in more than one direction; when felted, the work will shrink differently in the alternate directions. The textures created from each method offer a unique way to redefine felting and bring the beautiful and unexpected world of shibori to the knitter.

Knitters of every skill can explore this exciting method of creating art out of knitting. With detailed information on fibers and their shibori potential, a primer on technical felting concepts, and a thorough resource guide, Shibori Knits shows knitters how to create colorful, sculptural, and delicate projects, transforming knitting into something new..
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Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity-an opportunity to let the pliancy of textiles speak in making designs and patterns.
People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori.
Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth.
Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible.
The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field..
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Shibori - or Japanese tie-dye - is a patterned three-dimensional form created by a unique process of folding, crumpling, stitching, plaiting, plucking and twisting material. The result is gorgeous, soft-edged patterns that will delight sewers and fabric lovers alike. This appealing, modern take on a traditional art takes the intimidation out of a versatile craft and allows anyone to create beautiful items. Each chapter focuses on a specific method, from arashi (pole-wrapping) and stitching and gathering to using bleach to remove colour. The eighteen exquisite projects are embellished with detailed photos and easy-to-follow instructions throughout..
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Shibori is the Japanese term (from the word meaning "to squeeze or wring") for the dye-resist technique of binding, clamping or gathering the cloth so that the dye cannot reach certain parts. The result is a most powerful combination: a carefully structured design with the organic freedom of the unpredictable.
One of the richest textile traditions in the world, shibori has been used in Japan, Africa, India and South America for centuries to create vibrant color, bold patterns, and intricate motifs. In recent years, a resurgence of the art has revealed its full potential. Janice Gunner's book is aimed at quilters, embroiderers and textile artists who want to master the techniques of shibori and to find ways of using the fabric for a range of textile applications.
The book begins with the historical and cultural background of shibori; then goes on to explain, with clear, precise instructions and diagrams, how to make a wide range of exquisite fabrics. Gunner covers many different techniques, including tied-resist, stitched-resist, wrapped-resist, clamp-resist, folded- and pleated-resist, as well as immersion, space and indigo dyeing. Stunning examples of shibori pieces appear throughout the book both to inspire and guide; and practical advice is given on incorporating shibori textiles into the reader's own quilted and embroidered work..
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Shibori is infinitely more than the tie-dye that became well known in the late 1960s. Shaped-resist dyeing techniques have been done for centuries in every corner of the world. Yet more than half of the known techniques -- in which cloth is in some way tied, clamped, folded, or held back during dyeing, to keep some areas from taking color -- originated in Japan.

Shibori can be used not only to create patterns on cloth but to turn fabric from a two-dimensional into a three-dimensional object. The word is used here to refer to any process that leaves a "memory on cloth" -- a permanent record, whether of patterning or texture, of the particular forms of resist done. In addition to traditional methods it encompasses high-tech processes like heat-set on polyester (made famous by Issey Miyake's revolutionary pleated clothing), melt-off on metallic fabric, the fulling and felting that make it possible to turn all-natural fabrics into three-dimensional shapes, weaving resist (in which, for instance, a warp thread can be pulled to gather the cloth to resist dye), and devoree, in which just one part of a mixed fabric is dissolved with chemicals.

Author Yoshiko Iwamoto Wada has been teaching shibori around the world for nearly thirty years, and helped to establish the World Shibori Network and the International Shibori Symposium. She coauthored in 1983 the authoritative Shibori: The Inventive Art of Japanese Shaped-Resist Dyeing, which in turn inspired many artists to add shibori processes to their repertoire.

The range of vibrant modern art covered in Memory on Cloth is remarkable, and includes work by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia in more than 325 stunning photos and illustrations. It encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms. The work of more than seventy innovative designers including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith is presented, and each artist shares details on the processes that they themselves have created, making this an invaluable reference for artists in every field. A number of innovative artists who combine shibori techniques with knitting, weaving, or quilting are also included, suggesting new ways to combine innovation with more traditional forms. A final section on modern techniques gives extremely detailed information, including dye recipes, on various high-tech processes and the particular methods that individual artists use to achieve certain effects.

As informative as it is inspirational, Memory on Cloth will take its place alongside Wada's earlier work, Shibori, as a definitive text that will help keep shaped-resist dyeing processes a vibrant and important form of modern art.

Features

* More than 325 stunning photos and illustrations

* Encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms

* Covers more than seventy innovative designers

* Includes works by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia

* Each artist shares details on the processes that they themselves have created.
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