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Holidays on Ice is a collection of three previously published stories matched with three newer ones, all, of course, on a Christmas theme. David Sedaris's darkly playful humor is another common thread through the book, worming its way through "Seasons Greetings to Our Friends and Family!!!" a chipper suburban Christmas letter that spirals dizzily out of control, and "Front Row Center with Thaddeus Bristol," a vicious theatrical review of children's Christmas pageants. As always, Sedaris's best work is his sharply observed nonfiction, notably in "Dinah, the Christmas Whore," the tale of a memorable Christmas during which the young Sedaris learns to see his family in a new light. Worth the price of the book alone is the hilarious "SantaLand Diaries," Sedaris's chronicle of his time working as an elf at Macy's, covering everything from the preliminary group lectures ("You are not a dancer. If you were a real dancer you wouldn't be here. You're an elf and you're going to wear panties like an elf.") to the perils of inter-elf flirtation. Along the way, he paints a funny and sad portrait of the way the countless parents who pass through SantaLand are too busy creating an Experience to really pay attention to their children. In a sly way, it carries a holiday message all its own. Read it aloud to the adults after the kids have gone to bed. --Ali Davis.
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Edited with an Introduction by David Galloway .
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A beloved, bestselling classic of humorous and nostalgic Americana, reissued in a strikingly designed paperback edition.

Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant--and utterly hilarious--works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.

In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.

A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri..
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This unassuming hardcover in black buckram with a dark lavender title plate is the door into a world of twisted pleasures. Filmmaker Tim Burton (Edward Scissorhands, Beetlejuice, The Nightmare Before Christmas) tells 23 winsomely macabre stories about boys and girls who don't fit in. Their bodies are misshapen, their habits are odd, and their parents are appalled by them. But they do try hard to be human, like poor unwanted Mummy Boy, who's "a bundle of gauze": he goes for a walk in the park with his mummy dog. Some kids are having "a birthday party for a Mexican girl." They think Mummy Boy is a piñata: "They took a baseball bat and whacked open his head. Mummy Boy fell to the ground; he finally was dead. Inside of his head were no candy or prizes, just a few stray beetles of various sizes." For all its simple humor, The Melancholy Death of Oyster Boy & Other Stories is a peculiarly disturbing book about the violence that children suffer. It is illustrated in pen and ink, watercolor, and crayon. The themes and imagery are at a young-adult to adult level. .
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Bedtime stories will never again be the same--at least not after reading James Finn Garner, who, in surprisingly true Fairy Godmother fashion, waved his authorial wand and revised a large collection of fairy tales and holiday lore in Politically Correct: The Ultimate Storybook. This volume compiles his three separately published books, Politically Correct Bedtime Stories, Once Upon a More Enlightened Time, and Politically Correct Holiday Stories, examining the many "isms," whether glaringly obvious or more subtle, inherent in traditional favorites.

The tales begin similarly to their Brothers Grimm and Hans Christian Anderson predecessors, but veer suddenly to incorporate non-offensive, politically correct language and modern issues that range from overzealous lawyers to rampant real estate development to the destruction of the environment. Garner refashions over two dozen tales including Sleeping Beauty and Cinderella, plucking damsels and the disenfranchised from captive plot lines, increasing their self-awareness, spunk and dialogue ten-fold, then settles them comfortably back into tales where they can live happily ever after as confident, happy, successful entrepreneurs with a social mission.

The disclaimers preceding each of the three sections, as well as the abundant use of politically correct speech throughout the collection, appears at times more of a pointed mockery than a true attempt to enlighten stories locked in medieval thought. The tales do however, offer a witty and clever alternative to spoon-fed tradition. --Mara Shurgot.
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Contemporary art has never been so popular, but what is its role today and who is controlling its future? Contemporary art is supposed to be a realm of freedom where artists shock, break taboos, flout generally received ideas, and switch between confronting viewers with works of great emotional profundity and jaw-dropping triviality. But away from shock tactics in the gallery, there are many unanswered questions. Who is really running the art world? What effect has America's growing political and cultural dominance had on art?
Here Julian Stallabrass takes us inside the international art world to answer these and other controversial questions, and to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity. Its mysteries are all too easily explained, its depths much shallower than they seem. Contemporary art seeks to bamboozle its viewers while being the willing slave of business and government. This book is your antidote and will change the way you see contemporary art..
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David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favoritesas the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters ("Us and Them"); the difficulties of explaining the Easter Bunny to the French ("Jesus Shaves"); what to do when you've been locked out in a snowstorm ("Let It Snow"); the puzzling Christmas traditions of other nations ("Six to Eight Black Men"); what Halloween at the medical examiner's looks like ("The Monster Mash"); and a barnyard secret Santa scheme gone awry ("Cow and Turkey").

No matter what your favorite holiday, you won't want to miss celebrating it with the author who has been called "one of the funniest writers alive" (Economist)..
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