Books about Spectacle from Amazon.com

Why Going Against the Grain Pays.

Bestselling author Bill Bonner has long been a maverick observer of the financial and political world, sharpening his sardonic wit, in particular, on the vagaries of the investing public. Market booms and busts, tulip manias and dotcom bubbles, venture capitalists and vulture funds, he lets you know, are best explained not by dry statistics and obscure theories but by the metaphors and analogies of literature.

Now, in Mobs, Messiahs, and Markets, Bonner and freelance journalist Lila Rajiva use literary economics to offer broader insights into mass behavior and its devastating effects on society. Why is it, they ask, that perfectly sane and responsible individuals can get together, and by some bizarre alchemy turn into an irrational mob? What makes them trust charlatans and demagogues who manipulate their worst instincts? Why do they abandon good sense, good behavior and good taste when an empty slogan is waved in front of them. Why is the road to hell paved with so many sterling intentions? Why is there a  fool on every corner and a knave in every public office?

In attempting an answer, the authors weave a light-hearted journey through history, politics and finance to show group think at work in an improbable array of instances, from medieval crusades to the architectural follies of hedge-fund managers. Their journey takes them ultimately to the desk of the chairman of the Federal Reserve Bank and to a cautionary tale of the current bubble economy. They warn that the gush of credit let loose by Alan Greenspan and multiplied by the sophisticated number games of Wall Street whizzes is fraught with perils for the unwary. Boom without end, pronounces The Street.  But Bonner and Rajiva are more cynical. When the higher math and the greater greed come together, watch out below!

Mobs, Messiahs, and Markets ends by giving concrete advice on how readers can avoid what the authors call the public spectacle of modern finance,  and become, instead, private investors -  knowing their own mind and following their own intuitions. The authors have no gimmicks to offer here -   but instead give a better understanding of the dynamics of market behavior, allowing prudent investors to protect themselves from the fads and follies of the investment markets..
Price: $9.09 [Notify me when price goes down.]

The Das Kapital of the 20th century An essential text, and the main theoretical work of the situationists Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This new edition is the Ken Knabb translation. Certainly it has the most "modern" design of all three editions, as well as a short new introduction from the translator. .
Price: $10.08 [Notify me when price goes down.]

This is the first book to collate and synthesise the recent burgeoning primary research literature on dog behaviour, evolution and cognition The author presents a new ecological approach to the understanding of dog behaviour, demonstrating how dogs can be the subject of rigorous and productive scientific study without the need to confine them to a laboratory environment.
Dog Behaviour, Evolution, and Cognition starts with an overview of the conceptual and methodological issues associated with the study of the dog, followed by a brief description of their role in human society--almost a third of human families share their daily life with a dog! An evolutionary perspective is then introduced with a summary of current research into the process of domestication. The central part of the book is devoted to issues relating to the cognitive aspects of behavior which have received particular attention in recent years from both psychologists and ethologists. The book's final chapters introduce the reader to many novel approaches to dog behavior, set in the context of behavioral development and genetics.
Directions for future research are highlighted throughout the text which also incorporates links to human and primate research by drawing on homologies and analogies in both evolution and behavior. The book will therefore be of relevance and use to anyone with an interest in behavioral ecology including graduate students of animal behavior and cognition, as well as a more general audience of dog enthusiasts, biologists, psychologists and sociologists..
Price: $109.99 [Notify me when price goes down.]

First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle has since acquired a cult status. Credited by many as being the inspiration for the ideas generated by the events of May 1968 in France, Debord's pitiless attack on commodity fetishism and its incrustation in the practices of everyday life continues to btirn brightly in today's age of satellite television and the soundbite In Comments on the Society of the Spectacle published twenty years later, Debord returned to the themes of his previous analysis and demonstrated how they were all the more relevant in a period when the 'integrated spectacle' was dominant. Resolutely refusing to be reconciled to the system, Debord trenchantly slices through the doxa and mystification offered tip by journalists and pundits to show how aspects of reality as diverse as terrorism and the environment, the Mafia and the media, were catight tip in the logic of the spectacular society. Pointing the finger clearly at those who benefit from the logic of domination, Debord's Comments convey the revolutionary impulse at the heart of situationism..
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"I sentence you, Mr. Weaver, to be hanged for the most horrible crime of murder." Hearing that judicial decree, Benjamin Weaver--former pugilist, current "thief-taker," and future master of disguise--begins one of the sorriest days of his life. And things will only get worse, as David Liss reveals in A Spectacle of Corruption, his exuberant novel of 18th-century political chicanery. Tossed into London's notorious Newgate Prison, Weaver employs his considerable energy and guile (plus tools slipped to him by a mysterious admirer at his trial) to escape--naked--into the city's filthy streets. But then, he risks recapture by trying to figure out who framed him for slaying labor agitator Walter Yate, and why.

How all of this trouble derived from Weaver's pursuit of the culprit behind a priest's recent spate of hate mail propels the balance of this yarn--the sequel to Liss's Edgar Award-winning debut novel, A Conspiracy of Paper. It also pushes the Jewish "ruffian-for-hire" into the jeopardous midst of a British power struggle that pits supporters of King George I against the Jacobites, who favor the return of his dethroned Catholic rival, James II. Assisted by his puckish surgeon friend Elias Gordon, Weaver assumes the role of a prosperous plantation owner from Jamaica and penetrates the upper echelons of 1722 London society, hoping to gather information he can use against Dennis Dogmill, a "vicious and unpredictable" tobacco man who may actually have ordained Yate's killing. As Weaver ranges through London's fetid pubs and fancy theaters, and attracts the amorous attention of Dogmill's surprisingly shrewd sister, he also finds himself in the uncomfortable position of backing Griffin Melbury, a Tory candidate for the House of Commons--and the man who stole away his beloved Miriam Lienzo.

Liss has a keen eye for entertaining details of Georgian life, from that period's exotic diction ("The men in your gang are nothing but cutpurses and mollies and buggerantos") to its most reprehensible pastimes, including "goose pulling"--about which the less said, the better. And though some readers may bog down in the explained distinctions between Whigs and Tories, the author finds considerable humor in that political rivalry and the parties' get-out-the-vote efforts. Once you accept the rather dubious notion that fugitive Weaver could hide in plain sight, A Spectacle of Corruption can be appreciated as the lusty thriller Liss clearly intended it to be. --J. Kingston Pierce.
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Even though Azuma's "spectacle fetish" is infamous, guys are out of the question, and Sorachi is definately way out of the question - he's too serious for him to even carry on a decent conversation with. One day, however, Azuma finds Sorachi asleep without his glasses, and can't help himself from kissing him! Glasses may be the thing that attracts Azuma to Sorachi... or is it?.
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Winner, 2000 Lionel Trilling Award given by Columbia College.

Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century.

Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle.

Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices.

Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture..
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