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50th anniversary edition with a new introduction by Ray Bradbury "Frightening in its implications ..Mr. Bradbury's account of this insane world, which bears many alarming resemblances to our own, is fascinating."-- The New York Times.
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How to identify 135 of the most common species of North American grasses, sedges, and rushes, with their economic and ecological importance..
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new in paperback
Silence on the Mountain is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala’s thirty-six-year internal war, a conflict that claimed the lives of some 200,000 people, the vast majority of whom died (or were “disappeared”) at the hands of the U.S.-backed military government. Written by Daniel Wilkinson, a young human rights worker, the story begins in 1993, when the author decides to investigate the arson of a coffee plantation’s manor house by a band of guerrillas. The questions surrounding this incident soon broaden into a complex mystery whose solution requires Wilkinson to dig up the largely unwritten history of the country’s recent civil war, following its roots back to a land reform movement that was derailed by a U.S.-sponsored military coup in 1954 and to the origins of a plantation system that put Guatemala’s Mayan Indians to work picking coffee beans for the American and European markets.

Decades of terror-inspired fear have led the Guatemalans to adopt a survival strategy of silence so complete it verges on collective amnesia. The author’s great triumph is that he finds a way for people to tell their stories, and it is through these stories—dramatic, intimate, heartbreaking—that we are shown the anatomy of a thwarted revolution that has relevance not only to Guatemala but also to countless places around the world where terror has been used as a political tool.
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In 1934, Ebby Thatcher called an old drinking buddy to tell him about the happiness he was finding in sobriety His friend's name was Bill Wilson, and this book is the story of their life-long friendship. It is both a fascinating history of the formative years of Alcoholics Anonymous, as well as the bitter-sweet tale of the troubled man Bill W. always referred to as "my sponsor."

"Deeply informative and moving, a valuable contribution to the history of A.A. A 'must' reading for anyone interested in one of the more fascinating chapters in A.A.'s history."
--Nell Wing, Retired A.A. Archivist and Bill Wilson's Secretary.
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This comprehensive study of international ethnic cleansing provides in-depth coverage of its occurrences in Armenia, Nazi Germany, Cambodia, Yugoslavia, and Rwanda, as well as cases of lesser violence in early modern Europe and in contemporary India and Indonesia. After presenting a general theory of why serious conflict emerges and how it escalates into mass murder, Michael Mann offers suggestions on how to avoid such escalation in the future. Michael Mann is the author of Fascists (Cambridge, 2004) and The Sources of Social Power (Cambridge 1986)..
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For the past ten years Jonathan Moller has photographed communities uprooted by war in Guatemala. The result is Our Culture Is Our Resistance, a collection of portraits taken during that decade, revealing stories of life and death, of hope and despair, and of struggles for survival, respect, and truth. The beauty and strength of Moller's photographs and the accompanying texts not only document and preserve the faces and events associated with this land and its history, but also display for the viewer the humanity and dignity of these largely Mayan indigenous peoples. Featuring one hundred forty-seven tritone portraits, Our Culture Is Our Resistance also includes a preface by Guatemalan Nobel Peace Laureate Rigoberta Menchú Tum; short essays by Ricardo Falla, Francisco Goldman, and Susanne Jonas; and prose and poetry by Humberto Ak'abal, Heather Dean, Julia Esquivel, Eduardo Galeano, Francisco Morales Santos. In addition, the book includes testimonies and reflections by Guatemalan community members and survivors, as well as statements by , Eduardo Galeano, photographer Sebastião Salgado, and William F. Schulz, Executive Director of Amnesty International USA. Among the sponsors and official endorsers of Our Culture Is Our Resistance are Amnesty International, the Soros Foundation, Global Exchange, The Nation Institute, the Photo Review, Witness for Peace, and Cultural Survival. Exhibition at The Redux gallery, New York, November 11-December 1, 2004.
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In Walking Ghosts, Steven Dudley, a journalist who lived in Columbia for five years, expertly chronicles the life and death of the Patriotic Union (UP), the party established by the Revolutionary Armed Forces of Colombia (FARC), Colombia's largest guerrilla group. Through stories of the politicians, drug kingpins, revolutionaries, and mercenaries who play key roles in Colombia's civil strife, Dudley maps out the complicated and murderous absurdity that is present-day Colombia, where daily life has devastating consequences: 30,000 murders per year, 75 political assassinations per week, 10 kidnappings a day. As the conflict gets bloodier, international pressure and influence mounts: Worried about the FARC's strength and its role in the drug trade, the United States has sent close to three billion dollars in aid to help the Colombian government fight the FARC.

Steven Dudley seeks to make sense of this complicated conflict by focusing on the stories of key actors in the struggle, from the earliest days to the present. He has seen the civil war up close: dead bodies; paramilitaries; guerrillas; victims; and survivors. He has witnessed political parties grappling for power by any means necessary, and he's spoken to all sides and asked the difficult questions. Fast-paced and informative, with a new afterword by the author, Walking Ghosts presents a window into a conflict likely to shape the politics of this hemisphere for years to come..
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