Books about Televised from Amazon.com



The Revolution Will Not Be Televised Revised Ed: Democracy, the Internet, and the Overthrow of Everything

When Joe Trippi signed on to manage Howard Dean's 2004 presidential campaign, the long-shot candidate had 432 known supporters and $100,000 in the bank. Within a year the most obscure horse in the field was the front-runner, with $50 million in the campaign till, thanks to Trippi and his team. The Revolution Will Not Be Televised is the incredible story of how Joe Trippi's revolutionary use of the Internet forever changed politics as we know it. Trippi's memoir cum manifesto offers a blueprint for engaging Americans in real dialogue—and is an instruction manual for how businesspeople, government leaders, and anyone else can make use of democracy. In a new afterword, Trippi reviews how these lessons have influenced the 2008 campaign, a race marked by higher voter interest than any other in recent history.

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The Ratvolution Will Not Be Televised: A Pearls Before Swine Collection
Lock up your valuables Stockpile your ammunition Sandbag your bunker. The familiar foursome of Rat, Pig, Goat, and Zebra-joined now by the fraternity of Zeeba Zeeba Eata crocodiles are here to storm the ramparts of humor in The Ratvolution Will Not Be Televised.

In this fourth collection from the award-winning comic strip Pearls Before Swine, Stephan Pastis deploys all the weapons of his comic arsenal in an all-out attack on the animal (and human) imperfections he sees around him. The result is a collection jam-packed with the sharp-edged humor that has made Pearls Before Swine one of the most successful comic strips running in newspapers today.

Just remember: As The Ratvolution Will Not Be Televised makes clear, Pearls Before Swine takes no prisoners.

We warned you..
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American Sports: From the Age of Folk Games to the Age of Televised Sports (5th Edition)
The revised edition of this widely-acclaimed book offers a gracefully written, analytical history of American sports from the colonial era to the present It gives special attention to the historical relationship between sports and such major social cleavages as class, race, ethnicity, gender, region and the power that sports have exercised in binding diverse peoples together. .
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The Revolution Will Not Be Televised: Democracy, the Internet, and the Overthrow of Everything

When Joe Trippi signed on to run Howard Dean's 2004 presidential campaign, the long–shot candidate had 432 known supporters and $100,000 in the bank. Within a year, Trippi and his team had transformed the most obscure candidate in the field into a Democratic front–runner with a groundswell of 640,000 supporters and more money than any Democrat in history –– mostly through donations of one hundred dollars or less. Trippi's revolutionary use of the Internet and an impassioned, contagious desire to overthrow politics as usual grew into a national grassroots movement and changed the face of politics forever.

As Trippi argues persuasively, the Internet is distributing power to the people right now. And the companies that understand the coming revolution will be the first movers in this new era, while those that wait will be left behind. From his behind–the–scenes look at Dean's shocking rise and fall to his "seven inviolable, irrefutable, ingenious things your business or institution or candidate can do in the age of the Internet that might keep you from getting your ass kicked, but then again might not," Joe Trippi offers an inspiring glimpse of the world we are becoming. And he shows how power, in the hands of all of us, changes everything.

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An American Family: A Televised Life (Visible Evidence Series)
Before 1973, the Loud family of Santa Barbara, California, lived in the privacy of their own home. With the airing of the documentary An American Family, that "privacy" extended to every American home that had a television in it-and there was no going back to the happy land of Beaver, Donna Reed, and Father Knows Best. This book is the first to offer a close, sustained look at An American Family-the documentary that blurred conventions, stirred passions among viewers and reviewers, revised impressions of family life and definitions of private and public, and began the breakdown of distinctions between reality and spectacle that culminated in cultural phenomena from The Oprah Winfrey Show to Survivor.

While placing Craig Gilbert's innovative series in the context of 1970s nonfiction film and television, Jeffrey Ruoff tells the story behind An American Family from conception to broadcast, from reception to long-term impact. He reintroduces us to the Louds as intimate details of their daily lives, from one child's dance recital to another's gay lifestyle to the parents' divorce proceedings, unfold first before the camera and then before American viewers, challenging audiences to think seriously about family, marital relations, sexuality, affluence, and the American dream. In the documentary's immediate impact-on both producers and viewers of media-Ruoff uncovers the roots of new nonfiction forms including confessional talk shows like Oprah, first-person documentary films like Ross McElwee's acclaimed Sherman's March, and reality TV programs such as The Real World, Survivor, and Big Brother.

A comprehensive production and reception study, Ruoff's work restores An American Family to its rightful, pioneering place in the history of American television.

Jeffrey Ruoff is a film historian, documentary filmmaker, and assistant professor of film and television studies at Dartmouth College. He is co-author (with Kenneth Ruoff) of The Emperor's Naked Army Marches On (1998). Visible Evidence Series, volume 11.
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Revolution Televised: Prime Time and the Struggle for Black Power
After a decadelong hiatus, African Americans once again began appearing regularly on television in the 1960s. Bill Cosby costarred on I Spy, Sammy Davis Jr. briefly hosted a variety show, and in 1968 Diahann Carroll debuted in the title role of Julia, the first television series to star an African American since the cancellation of Amos ’n’ Andy. Over the next ten years, shows with African American casts became more common; some, like Sanford and Son and Good Times, were hits with both black and white audiences. Yet many within the black community criticize these programs as perpetuating demeaning stereotypes and hampering the political progress made by African Americans. 

In Revolution Televised, Christine Acham offers a more complex reading of this period in African American television history, finding within these programs opposition to dominant white constructions of African American identity. She explores the intersection of popular television and race as witnessed from the documentary coverage of the civil rights and Black Power movements, the personal politics of Flip Wilson and Soul Train’s Don Cornelius, and the ways in which notorious X-rated comic Redd Foxx reinvented himself for prime time. 

Reflecting on both the potential of television to effect social change as well as its limitations, Acham concludes with analyses of Richard Pryor’s politically charged and short-lived sketch comedy show and the success of outspoken comic Chris Rock. Revolution Televised deftly illustrates how black television artists operated within the constraints of the television industry to resist and ultimately shape the mass media’s portrayal of African American life. 

Christine Acham is assistant professor in African American and African studies at the University of California, Davis.
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Televised Presidential Debates and Public Policy (Lea's Communication)
With this second edition, Kraus continues his examination of formal presidential debates, considering the experience of television in presidential elections, reviewing what has been learned about televised debates, and evaluating that knowledge in the context of the election process, specifically, and the political process, generally. He also examines the media and the role they occupy in presidential elections. Because critics often refer to the Lincoln-Douglas debates when reproaching presidential debates, comparisons of the two are discussed throughout the book. Much of the data and information for this accounting of televised presidential debates comes from the author's first-hand experience as one who was involved with these debates as a participant observer, on site at nearly all of the debates discussed.

Throughout these discussions, emphasis is placed on the implications for public policy. To suggest policy that will be accepted and adopted by politicians and the public is, at best, difficult. Proposals for changes in public policy based on experience -- even when scientific data support those changes -- must be subjected to an assessment of the values and predispositions of the proponent. These values and predispositions, however, may not necessarily inhibit the proponent's objectivity. As such, this review of television use in the presidential election process provides the context for examining televised debates.
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The Revolution Wasn't Televised: Sixties Television and Social Conflict
Caricatures of sixties television--called a "vast wasteland" by the FCC president in the early sixties--continue to dominate our perceptions of the era and cloud popular understanding of the relationship between pop culture and larger social forces. Opposed to these conceptions, The Revolution Wasn't Televised explores the ways in which prime-time television was centrally involved in the social conflicts of the 1960s. It was then that television became a ubiquitous element in American homes. The contributors in this volume argue that due to TV's constant presence in everyday life, it became the object of intense debates over childraising, education, racism, gender, technology, politics, violence, and Vietnam. These essays explore the minutia of TV in relation to the macro-structure of sixties politics and society, attempting to understand the struggles that took place over representation the nation's most popular communications media during the 1960s..
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Videostyle in Presidential Campaigns: Style and Content of Televised Political Advertising (Praeger Series in Political Communication)
Since 1952, when Eisenhower's media consultants decided they could "warm up" the General's personality and overcome selective exposure by using short spots on television, advertising has played a major role in American presidential campaigns. By the late 1990s, candidates and their political parties spend hundreds of millions on TV ads. Political spots have become the dominant form of communication between voters and candidates. Kaid and Johnston report the results of a systematic and thorough analysis of virtually all of the political commercials used in general election campaigns from 1952 through the 1996 presidential contest. Important to scholars, students, and other researchers involved with political communications, mass communications, and presidential elections..
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