Books about Twentieth from Amazon.com

Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic.

Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals."

Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes.
Price: $18.00 [Notify me when price goes down.]

This unprecedented book by one of Britain’s most admired historians describes the intellectual impact that the study and consideration of history has had in the Western world over the past 2,500 years.

Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of Europe and America, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present, including Livy, Tacitus, Bede, Froissart, Clarendon, Gibbon, Macaulay, Michelet, Prescott and Parkman. The author sets out not to give us the history of academic discipline but a history of choices: the choice of pasts, and the ways they have been demarcated, investigated, presented and even sometimes learned from as they have changed according to political, religious, cultural, and (often most important) partisan and patriotic circumstances. Burrow aims, as well, to change our perceptions of the crucial turning points in the history of history, allowing the ideas that historians have had about both their own times and their founding civilizations to emerge with unexpected freshness.

Burrow argues that looking at the history of history is one of the most interesting ways we have to understand the past. Certainly, this volume stands alone in its ambition, scale and fascination.

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David James Duncan's first novel has gained an increasingly wide audience over the years--some might even call it a following This coming-of-age tale of Gus Orviston's search for the Pacific Northwest's elusive steelhead, a metaphor for Gus's internal quest for self-knowledge, appeals to all who cherish a good yarn and memorable characters. Uncle Zeke's colorful rendition of Gus's conception on the banks of the Deschutes River is itself worth the price of purchase..
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Wallace Stegner's Pulitzer Prize-winning novel is a story of discovery--personal, historical, and geographical Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.

Like other great quests in literature, Lyman Ward's investigation leads him deep into the dark shadows of his own life. The result is a deeply moving novel that, through the prism of one family, illuminates the American present against the fascinating background of its past..
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Before Brave New World...
Before 1984...There was...

WE

In the One State of the great Benefactor, there are no individuals, only numbers Life is an ongoing process of mathematical precision, a perfectly balanced equation Primitive passions and instincts have been subdued. Even nature has been defeated, banished behind the Green Wall. But one frontier remains: outer space. Now, with the creation of the spaceship Integral, that frontier -- and whatever alien species are to be found there -- will be subjugated to the beneficent yoke of reason.

One number, D-503, chief architect of the Integral, decides to record his thoughts in the final days before the launch for the benefit of less advanced societies. But a chance meeting with the beautiful 1-330 results in an unexpected discovery that threatens everything D-503 believes about himself and the One State. The discovery -- or rediscovery -- of inner space...and that disease the ancients called the soul.

A page-turning SF adventure, a masterpiece of wit and black humor that accurately predicted the horrors of Stalinism, We is the classic dystopian novel. Its message of hope and warning is as timely at the end of the twentieth century as it was at the beginning.

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A legendary bestseller for more than forty years, this is the classic survey to the field from the Middle Ages to the twenty-first century

With 274 authors, the Eighth Edition deepens its representation of essential works in all genres, ranging from Seamas Heaney's award-winning translation of Beowulf, Milton's Paradise Lost, and More's Utopia to the great poets and prose writers of the nineteenth century—Blake and Austen, Wordsworth and Byron, Tennyson and Barrett Browning—to twentieth-century classics of a truly global English literature—Conrad's Heart of Darkness, Woolf's A Room of One's Own, Achebe's Things Fall Apart, and Friel's Translations, to name but a few. Color plates—over 75 in all—and thematic clusters of brief and historically significant texts bring to life the cultural concerns of each period. Concise glosses and annotations, period introductions, biographical headnotes, timelines, and selected bibliographies help readers understand and enjoy the rich diversity of English literature..
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Science is inextricably linked with mathematics Statistician David Salsburg examines the development of ever-more-powerful statistical methods for determining scientific truth in The Lady Tasting Tea, a series of historical and biographical sketches that illuminate without alienating the mathematically timid. Salsburg, who has worked in academia and industry and has met many of the major players he writes about, shares his subjects' enthusiasm for problem solving and deep thinking. His sense of excitement drives the prose, but never at the expense of the reader; if anything, the author has taken pains to eliminate esoterica and ephemera from his stories. This might frustrate a few number-head readers, but the abundant notes and references should keep them happy in the library for weeks after reading the book.

Ultimately, the various tales herein are unified in a single theme: the conversion of science from observational natural history into rigorously defined statistical models of data collection and analysis. This process, usually only implicit in studies of scientific methods and history, is especially important now that we seem to be reaching the point of diminishing returns and are looking for new paradigms of scientific investigation. The Lady Tasting Tea will appeal to a broad audience of scientifically literate readers, reminding them of the humanity underlying the work. --Rob Lightner.
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During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For them, America proved to be both a strange and opportune destination. A "foreign homeland" (Thomas Mann), it would frustrate and confuse, yet afford a clarity of understanding unencumbered by native habit and bias. However inadvertently, the condition of cultural exile would promote acute inquiries into the American experience. What impact did these famous newcomers have on American culture, and how did America affect them?

George Balanchine, in collaboration with Stravinsky, famously created an Americanized version of Russian classical ballet. Kurt Weill, schooled in Berlin jazz, composed a Broadway opera. Rouben Mamoulian's revolutionary Broadway productions of Porgy and Bess and Oklahoma! drew upon Russian "total theater." An army of German filmmakers—among them F. W. Murnau, Fritz Lang, Ernst Lubitsch, and Billy Wilder—made Hollywood more edgy and cosmopolitan. Greta Garbo and Marlene Dietrich redefined film sexuality. Erich Korngold upholstered the sound of the movies. Rudolf Serkin inspirationally inculcated dour Germanic canons of musical interpretation. An obscure British organist reinvented himself as "Leopold Stokowski." However, most of these gifted émigrés to the New World found that the freedoms they enjoyed in America diluted rather than amplified their high creative ambitions.

A central theme of Joseph Horowitz's study is that Russians uprooted from St. Petersburg became "Americans"—they adapted. Representatives of Germanic culture, by comparison, preached a German cultural bible—they colonized. "The polar extremes," he writes, "were Balanchine, who shed Petipa to invent a New World template for ballet, and the conductor George Szell, who treated his American players as New World Calibans to be taught Mozart and Beethoven." A symbiotic relationship to African American culture is another ongoing motif emerging from Horowitz's survey: the immigrants "bonded with blacks from a shared experience of marginality"; they proved immune to "the growing pains of a young high culture separating from parents and former slaves alike."

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Most Americans believe the United States had been an isolationist power until the twentieth century. This is wrong. In a riveting and brilliantly revisionist work of history, Robert Kagan, bestselling author of Of Paradise and Power, shows how Americans have in fact steadily been increasing their global power and influence from the beginning. Driven by commercial, territorial, and idealistic ambitions, the United States has always perceived itself, and been seen by other nations, as an international force. This is a book of great importance to our understanding of our nation’s history and its role in the global community..
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