Books about Unfashionable from Amazon.com

Forthright and wryly humorous, philosopher Susan Haack deploys her penetrating analytic skills on some of the most highly charged cultural and social debates of recent years. Relativism, multiculturalism, feminism, affirmative action, pragmatisms old and new, science, literature, the future of the academy and of philosophy itself—all come under her keen scrutiny in Manifesto of a Passionate Moderate.

"The virtue of Haack's book, and I mean virtue in the ethical sense, is that it embodies the attitude that it exalts. . . Haack's voice is urbane, sensible, passionate—the voice of philosophy that matters. How good to hear it again."—Jonathan Rauch, Reason

"A tough mind, confident of its power, making an art of logic . . . a cool mastery."—Paul R. Gross, Wilson Quarterly

"Few people are better able to defend the notion of truth, and in strong, clear prose, than Susan Haack . . . a philosopher of great distinction."—Hugh Lloyd-Jones, National Review

"If you relish acute observation and straight talk, this is a book to read."—Key Reporter (Phi Beta Kappa)

"Everywhere in this book there is the refreshing breeze of common sense, patiently but inexorably blowing."—Roger Kimball, Times Literary Supplement

"A refreshing alternative to the extremism that characterizes so much rhetoric today."—Kirkus Reviews

This new translation is the first to be published in a twenty-volume English-language edition of The Complete Works of Friedrich Nietzsche, the first complete, critical, and annotated translation of all of Nietzsche’s work. The Stanford edition is based on the Colli-Montinari edition, which has received universal praise: “It has revolutionized our understanding of one of the greatest German thinkers”; “Scholars can be confident for the first time of having a trustworthy text.”

Under the title Unzeitgemässe Betrachtungen, Nietzsche collected four essays published separately between 1873 and 1876: “David Strauss the Confessor and the Writer,” “On the Utility and Liability of History for Life,” “Schopenhauer as Educator,” and “Richard Wagner in Bayreuth.” The title, newly translated as Unfashionable Observations, spells out the common impulse linking these essays: Nietzsche’s inimical attitude toward his “time,” understood broadly as all the mainstream and popular movements that constituted contemporary European, but especially German, “culture” in the wake of the Prussian military victory over the French in 1871.

The Unfashionable Observations are foundational works for Nietzsche’s entire philosophy, prefiguring both his characteristic philosophical style and many of the major ideas he would develop in his later writings. This is the first English translation to include Nietzsche’s variants to the published text.

This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche’s work. Volume 2: Unfashionable Observations, translated by Richard T. Gray, was published in 1995; Volume 3: Human, All Too Human (I), translated by Gary Handwerk, was published in 1997. The edition is a new English translation, by various hands, of the celebrated Colli-Montinari edition, which has been acclaimed as one of the most important works of scholarship in the humanities in the last half century.

The present volume provides for the first time English translations of all of Nietzsche’s unpublished notebooks from the summer of 1872 to the end of 1874. The major works published in this period were the first three Unfashionable Observations: “David Strauss the Confessor and the Writer,” “On the Utility and Liability of History for Life,” and “Schopenhauer as Educator.” Translations of the preliminary notes for these pieces are coordinated with the translations of the published texts printed in Volume 2: Unfashionable Observations.

The content of these notebooks goes far beyond the notes and plans for published and unpublished Unfashionable Observations, encompassing numerous sketches related to Nietzsche’s major philological project from this period, a book on the pre-Platonic Greek philosophers. The ideas that emerged from Nietzsche’s deliberations on these early Greek thinkers are absolutely central to his thought from this period and contribute in significant ways to the development of several of his major themes: the role of the philosopher vis-à-vis his age and the surrounding culture; the relationships among philosophy, art, and culture; the metaphorical nature of language and its relationship to knowledge; the unmasking of the modern drive for absolute “truth” as a palliative against the horror of existence; and Nietzsche’s “unfashionable” attack on modern science and modern culture, especially on the Germany of the Bismarck Reich. These notebooks represent important transitional documents in Nietzsche’s intellectual development, marking, among other things, the shift away from philological studies toward unabashed cultural criticism.