Books about Utopian from Amazon.com



Hershey: Milton S. Hershey's Extraordinary Life of Wealth, Empire, and Utopian Dreams
The name Hershey evokes many things: chocolate bars, the company town in Pennsylvania, one of America's most recognizable brands. But who was the man behind the name? In this compelling biography, Pulitzer Prize-winning journalist Michael D'Antonio gives us the real-life rags-to-riches story of Milton S. Hershey, a largely uneducated businessman whose idealistic sense of purpose created an immense financial empire, a town, and a legacy that lasts to this day.

Hershey, the son of a minister's daughter and an irresponsible father who deserted the family, began his career inauspiciously when the two candy shops he opened both went bankrupt. Undeterred, he started the Lancaster Caramel Company, which brought him success at last. Eventually he sold his caramel operation and went on to perfect the production process of chocolate to create a stable, consistent bar with a long shelf life...and an American icon was born.

Hershey was more than a successful businessman -- he was a progressive thinker who believed in capitalism as a means to higher goals. He built the world's largest chocolate factory and a utopian village for his workers on a large tract of land in rural Pennsylvania, and used his own fortune to keep his workers employed during the Great Depression. In addition, he secretly willed his fortune to a boys' school and orphanage, both of which now control a vast endowment.

Extensively researched and vividly written, Hershey is the fascinating story of this uniquely American visionary.

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The War of Don Emmanuel's Nether Parts
Louis de Bernières's sardonic pen has concocted a spicy olla podrida of a novel, set in a fictitious Latin American country, with all the tragedy, ribaldry, and humor Bernières can muster from a debauched military, a clueless oligarchy, and an unconventional band of guerrillas. There's a plague of laughing, a flood of magical cats, and a torture-happy colonel. The cities, villages, politics, and discourse are an inspired amalgam of Latin Americana, but the comedy, horror, adventure, and vibrant individuals are pure de Bernières. This masterpiece, the first of a trilogy, is followed by Señor Vivo and the Coca Lord, and The Troublesome Offspring of Cardinal Guzman..
Price: $7.48 [Notify me when price goes down.]


More's Utopia and Utopian Literature (Cliffs Notes)
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.

In CliffsNotes on Utopia & Utopian Literature, you discover the Utopian movement that Thomas More helped usher in with his complex work, Utopia. In the book, More tells of a debate between three characters (himself being one of the characters) on how 16th-century society can be improved to eliminate the corruptions and inequities of life.

Summaries and commentaries take you through the book, and critical essays help you understand the Utopian theme and the impact of Utopia on literature. Other features that help you study include

  • A section on the life and background of Thomas More
  • A section on the historical background of the book
  • Critical essays on the composition of Utopia and how the book relates to Communism
  • Review questions and essay topics
  • A selected bibliography

Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides..
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Spaces of Hope (California Studies in Critical Human Geography, 7)
As the twentieth century drew to a close, the rich were getting richer; power was concentrating within huge corporations; vast tracts of the earth were being laid waste; three quarters of the earth's population had no control over its destiny and no claim to basic rights. There was nothing new in this. What was new was the virtual absence of any political will to do anything about it. Spaces of Hope takes issue with this.
David Harvey brings an exciting perspective to two of the principal themes of contemporary social discourse: globalization and the body. Exploring the uneven geographical development of late-twentieth-century capitalism, and placing the working body in relation to this new geography, he finds in Marx's writings a wealth of relevant analysis and theoretical insight. In order to make much-needed changes, Harvey maintains, we need to become the architects of a different living and working environment and to learn to bridge the micro-scale of the body and the personal and the macro-scale of global political economy.
Utopian movements have for centuries tried to construct a just society. Harvey looks at their history to ask why they failed and what the ideas behind them might still have to offer. His devastating description of the existing urban environment (Baltimore is his case study) fuels his argument that we can and must use the force of utopian imagining against all who say "there is no alternative." He outlines a new kind of utopian thought, which he calls dialectical utopianism, and refocuses our attention on possible designs for a more equitable world of work and living with nature. If any political ideology or plan is to work, he argues, it must take account of our human qualities. Finally, Harvey dares to sketch a very personal utopian vision in an appendix, one that leaves no doubt about his own geography of hope..
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Picture Imperfect: Utopian Thought for an Anti-Utopian Age

"The choice we have is not between reasonable proposals and an unreasonable utopianism. Utopian thinking does not undermine or discount real reforms. Indeed, it is almost the opposite: practical reforms depend on utopian dreaming."--Russell Jacoby, Picture Imperfect

Utopianism suffers from an image problem: A recent exhibition on utopias in Paris and New York included photographs of Hitler's Mein Kampf and a Nazi concentration camp. Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues in this salient, polemical, and innovative work, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, iconoclastic utopianism revives society's dormant political imagination and offers hope for a better future.
Writing against the grain of history, Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper. He argues that these thinkers mistakenly equate utopianism with totalitarianism.

The reputation of utopian thought has also suffered from the failures of, what Jacoby terms, the blueprint utopian tradition and its oppressive emphasis on detailing all aspects of society and providing fantastic images of the future. In contrast, the iconoclastic utopians, like those who follow God's prohibition against graven images, resist both the blueprinters' obsession with detail and the modern seduction of images. Jacoby suggests that by learning from the hopeful spirit of iconoclastic utopians and their willingness to accept new possibilities for society, we open ourselves to new and more imaginative ideas of the future.

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Herland
On the eve of World War I, an all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women's roles in society..
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The Great Romance: A Rediscovered Utopian Adventure (Bison Frontiers of Imagination)
The Great Romance, a two-volume novella published under the pseudonym “The Inhabitant,” was one of the outstanding late nineteenth-century works of utopian science fiction. Volume 1 was a possible model for Edward Bellamy’s phenomenally successful Looking Backward, while volume 2 was assumed lost for over a century until uncovered in the Hocken Library in Dunedin, New Zealand. Together these volumes represent a remarkable piece of science fiction writing as they proffer one of the first serious considerations of the colonization of other planets and the impact of human beings on an alien culture. Here, for the first time, readers encounter descriptions of spacesuits and airlocks, space shuttles and planetary rovers, interplanetary colonization and cross-species miscegenation.
Behind these genre-defining elements is the story of John Hope, who, by means of a sleeping elixir, awakes to a utopian community in a distant future—a “kingdom of thought” where the struggle for existence has been eliminated and humanity operates under an unwritten law of civility and harmony, aided by telekinesis that inerrantly reveals all wrong-doers. Since only two of the probably three volumes are extant, the tale ends with a chilling cliffhanger. In his introduction Dominic Alessio discusses the cutting-edge aspects of this work and its significance in both the realm of science fiction and the history and culture of its day.
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Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution
The revolutionary ideals of equality, communal living, proletarian morality, and technology worship, rooted in Russian utopianism, generated a range of social experiments which found expression, in the first decade of the Russian revolution, in festival, symbol, science fiction, city planning, and the arts. In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism..
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