Books about Vanished from Amazon.com

Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as "a masterpiece" (John A. Gable, Newsday), it is the winner of the Los Angeles Times 1981 Book Prize for Biography and the National Book Award for Biography Written by David McCullough, the author of Truman, this is the story of a remarkable little boy, seriously handicapped by recurrent and almost fatal asthma attacks, and his struggle to manhood: an amazing metamorphosis seen in the context of the very uncommon household in which he was raised.

The father is the first Theodore Roosevelt, a figure of unbounded energy, enormously attractive and selfless, a god in the eyes of his small, frail namesake. The mother, Mittie Bulloch Roosevelt, is a Southerner and a celebrated beauty, but also considerably more, which the book makes clear as never before. There are sisters Anna and Corinne, brother Elliott (who becomes the father of Eleanor Roosevelt), and the lovely, tragic Alice Lee, TR's first love. All are brought to life to make "a beautifully told story, filled with fresh detail", wrote The New York Times Book Review.

A book to be read on many levels, it is at once an enthralling story, a brilliant social history and a work of important scholarship which does away with several old myths and breaks entirely new ground. It is a book about life intensely lived, about family love and loyalty, about grief and courage, about "blessed" mornings on horseback beneath the wide blue skies of the Badlands..
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Presto! With a conjuror's flourish, the reliable Jeffery Deaver has pulled another winner out of his hat. The Vanished Man brings back Lincoln Rhyme, forensic investigator, and his sidekick Amelia Sachs, ex-model and beat cop, a team featured in four previous books. Their case begins with a murder in which the culprit, cornered in a locked room, seemingly vanishes into thin air. Rhyme soon realizes he's up against a master illusionist--and then acquires a conjuror of his own, a spunky apprentice magician, to advise him. The book is chock-a-block with magic lore and with details of the craft of illusion, which provide a fine complement to the engrossing forensic-science puzzles.

The characters, as usual with Deaver, are little more than cardboard cutouts. Even Rhyme himself, a brilliant quadriplegic and former head of NYPD forensics, seems more a collection of characteristics than a man. But Deaver's cutouts are sturdy and well-constructed, and the book's plotting and pacing--featuring twist upon twist and reversal upon reversal--are nothing short of dazzling, reminiscent of Agatha Christie at her best. Deaver proves himself an accomplished illusionist, misdirecting your attention with one hand while slipping a firecracker down your pants with the other. --Nicholas H. Allison.
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A feat of historical detection--the most significant, andcertainly the most enthralling, book on American prehistory to appear indecades The greatest "unsolved mystery" of the American Southwest relates to theAnasazi, the native peoples who by the 11th century converged on ChacoCanyon (now New Mexico) and built a flourishing cultural center thatattracted pilgrims from far and wide, a vital crossroads of the prehistoricworld. The Anasazis' accomplishments--in agriculture, in art, in commerce,in architecture and engineering--were astounding, rivaling those of theMayans in distant Central America. By the 13th century, however, the Anasazi were gone from Chaco. Vanished.What was it--drought? pestilence? war? forced migration? mass murder orsuicide? Craig Childs draws on scholarly research and a lifetime ofadventure and exploration in the American Southwest to pursue the mysteryof their disappearance. Considering many possibilities, he points the wayto a new understanding of how a vibrant civilization collapsed..
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In this landmark work on the Anasazi tribes of the Southwest, naturalist Craig Childs dives head on into the mysteries of this vanished people.


The various tribes that made up the Anasazi people converged on Chaco Canyon (New Mexico) during the 11th century to create a civilization hailed as "the Las Vegas of its day," a flourishing cultural center that attracted pilgrims from far and wide, and a vital crossroads of the prehistoric world. By the 13th century, however, Chaco's vibrant community had disappeared without a trace.


Was it drought? Pestilence? War? Forced migration, mass murder or suicide? Conflicting theories have abounded for years, capturing the North American imagination for eons.

Join Craig Childs as he draws on the latest scholarly research, as well as a lifetime of exploration in the forbidden landscapes of the American Southwest, to shed new light on this compelling mystery. He takes us from Chaco Canyon to the highlands of Mesa Verde, to the Mongollon Rim; to a contemporary Zuni community where tribal elders maintain silence about the fate of their Lost Others; and to the largely unexplored foothills of the Sierra Madre in Mexico, where abundant remnants of Anasazi culture lie yet to be uncovered.



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In a world torn by religious antagonism, lessons can be learned from medieval Spanish villages where Muslims, Christians, and Jews rubbed shoulders on a daily basis--sharing irrigation canals, bathhouses, municipal ovens, and marketplaces. Medieval Spaniards introduced Europeans to paper manufacture, Hindu-Arabic numerals, philosophical classics, algebra, citrus fruits, cotton, and new medical techniques. Her mystics penned classics of Kabbalah and Sufism. More astonishing than Spain's wide-ranging accomplishments, however, was the simple fact that until the destruction of the last Muslim Kingdom by King Ferdinand and Queen Isabella in 1492, Spain's Muslims, Christians, and Jews often managed to bestow tolerance and freedom of worship on the minorities in their midst.
A Vanished World chronicles this panoramic sweep of human history and achievement, encompassing both the agony of Jihad, Crusades, and Inquisition, and the glory of a multi-religious, multi-cultural civilization that forever changed the West. Lowney shows how these three controversial religious groups once lived and worked together in Spain, creating commerce, culture, art, and architecture. He reveals how these three faith groups eventually veered into a thicket of resentment and violence, and shows how our current policies and approaches might lead us down the same path.
Rising above politics, propaganda, and name-calling, A Vanished World provides a hopeful meditation on how relations among these three faith groups have gone wrong and some ideas on how to make their interactions right.
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Stories on Stage is a collection of reader's theater scripts for young readers, adapted from stories by fifteen different authors, including Louis Sachar, Nancy Farmer, and Roald Dahl. Coming from such genres as humor, fantasy, and multicultural folktales, stories were selected for their dramatic quality, literary value, and appeal to young people. The scripts may be freely copied, shared, and performed for noncommercial purposes. With a focus on ages 8 to 15, the collection features a wide range of reading levels. The scripts in this collection are -- "Three Sideways Stories From Wayside School," by Louis Sachar -- "Mr. Twit's Revenge," by Roald Dahl -- "Millions of Cats," by Wanda Gag -- "Tapiwa's Uncle," by Nancy Farmer -- "How Tom Beat Captain Najork," by Russell Hoban -- "Harriet," by Florence Parry Heide -- "Mr. Bim's Bamboo," by Carol Farley -- "Talk," by Harold Courlander -- "The Jade Stone," by Caryn Yacowitz -- "The Bean Boy," by Monica Shannon -- "The Kid from the Commercial," by Stephen Manes -- "The Fools of Chelm," by Steve Sanfield -- "Mouse Woman and the Snails," by Christie Harris -- "Westwoods," by Eleanor Farjeon -- "The Legend of Lightning Larry," by Aaron Shepard..
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"Murder is the greatest aberration of human nature, it brings out some ingenious subterfuges," remarks Inspector Jefe Javier Falcón, as he ponders a series of ambiguously motivated and ostensibly unconnected suicides in The Vanished Hands, British author Robert Wilson's sequel to his haunting 2003 novel, The Blind Man of Seville.

It's the summer of 2002, more than a year after the shattering events recounted in Blind Man, and Falcón, the chief homicide cop in Seville, Spain, has finally regained his confidence and powers of concentration. Still, he cannot fathom why Rafael Vega, a construction company honcho (and recreational butcher), should have smothered his younger, unstable wife in bed, then chugged a fatal draught of drain cleaner. Is there any connection between this tragedy and the disappearance of the Vegas's Ukranian gardener, or money laundering by the local Russian mafia? Can Rafael Vega's demise be related to his distrust of the U.S. government or to a note found in his hand, with its seeming allusion to the Sept. 11, 2001, terrorist attacks? As Falcón questions the Vegas's suburban neighbors, he discovers one couple linked to the slaying of an Iranian carpet-dealer in New York, and another nearby resident, renowned actor Pablo Ortega, whose grown son is in prison for kidnapping and abusing an 8-year-old boy. Yet these scandals aren't obviously helpful to Falcón in solving the Vega case. Nor do they explain why those first deaths are soon followed by Ortega's drowning in a cesspool, the suicidal leap of an aging child-crimes investigator, and Russian mafia threats against Falcón.

Wilson doesn't exploit Seville's exotic setting so well here as he did in Blind Man, and it can be challenging to follow this sequel's political backstory. However, the author more than makes up for these weaknesses with the depth of his psychological explorations, the ways in which he taunts his police with justice slightly beyond their reach, and a patient storytelling pace that enhances investigative revelations. Falcón remains a potent and pivotal figure, his traumas in the last book being replaced in these pages by personal dramas (three different women tug at the inspector jefe's heart, feeding his hope without depleting his loneliness). Founded in mendacity, fraught with betrayals, The Vanished Hands maintains a firm grip on the reader from its start. --J. Kingston Pierce.
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The seventh book in the Irish medieval mystery series finds Sister Fidelma investigating the disappearance of a kingdom's sacred artifacts-and that of an elderly brother of the order...

"[Sister Fidelma] does not disappoint " (Publishers Weekly).
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