Books about Vaudeville from Amazon.com

Decreed by David Letterman (tongue in cheek) on CBS TV’s The Late Show to be the pick of “Dave’s Book Club 2006,” Candy Girl is the story of a young writer who dared to bare it all as a stripper At the age of twenty-four, Diablo Cody decided there had to be more to life than typing copy at an ad agency. She soon managed to find inspiration from a most unlikely source— amateur night at the seedy Skyway Lounge. While she doesn’t take home the prize that night, Diablo discovers to her surprise the act of stripping is an absolute thrill.

This is Diablo’s captivating fish-out-of-water story of her yearlong walk on the wild side, from quiet gentlemen’s clubs to multilevel sex palaces and glassed-in peep shows. In witty prose she gives readers a behind-the-scenes look at this industry through a writer’s keen eye, chronicling her descent into the skin trade and the effect it had on her self-image and her relationship with her now husband..
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First song, dress on…

“It sounds like an obvious statement when I say that girls don’t grow up wanting to be strippers, but you’d be surprised Most people – civilians that is – seem to think that even in the cradle we were wrapping ourselves around a greasy pole and grinding our hips to Britney Spears.…When we get drunk the regrets come out. ‘I’m a good girl, really I am,’ sighs one. She takes a drag of her cigarette and I think to myself, I’m not a good girl. Not really. Not anymore. But I sure as hell would like to be.”

With forty-three countries, twelve boats, dozens of flights, a fistful of “life experience” behind her and a lot of ambition fueling her dreams, twenty-five-year old Ruth Fowler arrives in New York City. A Brit with a Cambridge degree and a middle-class background, she doesn’t think it will be too hard to start a new life. But getting a work visa in post-9/11 U.S.A. proves to be tricky, and to kick-start a writing career, Fowler starts documenting her experiences. She funds her efforts with cash-in-hand jobs and a stint writing for The Village Voice, but it doesn’t take long for funds and hope to run out – sending her to the heart of Manhattan's dark underbelly, the strip clubs and “Champagne Rooms” of Times Square. As “Mimi,” she has a chance of survival. But when this persona threatens to consume every vestige of Fowler’s identity, when her life spirals out of control and her true self remains so deeply buried that it seems impossible to resurrect, relying on “Mimi” seems like the biggest mistake she has ever made. No Man’s Land is a shocking, raw account about losing identity—and finding it again..
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Once a song and dance man, Grandpa reclaims his youth and profession before the delighted eyes of his three grandchildren one afternoon He simply cannot resist the urge to dress up in clothes left over from his vaudeville days--complete with top hat and gold-headed cane--and to perform tricks, play banjo and tell jokes. He taps, twirls and laughs himself to tears on a thrown-together stage in his attic. Artist Stephen Gammell takes full advantage of lamplight to render Grandpa in shadow and silhouette, trivializing the concept of age and creating a feeling of intense nostalgia. Related from the point of view of the children, the text in Song and Dance Man is soft and understated, and Gammell's artistry is superb. The book won the Caldecott Medal in 1989..
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With this book, the many wonderful musicals that played the small theaters and cabarets of Off Broadway are finally given the spotlight they deserve. Little Musicals for Little Theatres is a comprehensive reference guide to over 150 small musicals that any theater or school can produce with limited resources. Each entry includes writing credits, synopsis, cast size, musical numbers, production notes, and licensing information. The book also includes the few Broadway musicals that have small casts and can be performed in almost any circumstances. Photos give the reader a look at production requirements, and statistics on the number of performances indicate how successful a show's original production was..
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Erik was 12 when Gypsy decided she was through with striptease—'I’m forty-two years old. Too old to be taking my clothes off in front of strangers ' Her endless schemes for staying famous and maintaining their extravagant lifestyle—a best-selling writing career, a musical based on her life, a disastrous attempt to turn her home movies into a blockbuster—make for comedic yet poignant reading. My G-String Mother is a stylish, incisive portrait of two lives: an awkward adolescent who was as much confidante, co-conspirator, and companion as son, and the legendary woman who told police at a raid at the famous Minsky’s burlesque house, 'I wasn’t naked. I was completely covered by a blue spotlight.'.
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The Ziegfeld Follies, Florenz Ziegfeld's stage spectacular, promised the best performers, the most lavish sets, and the most ravishing girls. Doris Eaton Travis was one of these prized beauties–and, at 14, was chosen as the youngest chorus girl in the Follies. "Mine eyes are yet dim with the luminous beauty of a girl named Doris," one Chicago reviewer wrote.

Today, at the age of 102, Eaton is the last living Ziegfeld girl. Over the past century, she has performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. Century Girl is a visual tour of this extraordinary woman's journey through the ages.

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Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship..
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