Books about Vitruvius from Amazon.com

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For the first time in more than half a century, Vitruvius' Ten Books on Architecture is being published in English The only full treatise on architecture and its related arts to survive from classical antiquity, the Architecture libri decem (Ten Books on Architecture) is the single most important work of architectural history in the Western world, having shaped architecture and the image of the architect from the Renaissance to the present. Demonstrating the range of Vitruvius' style, this new edition includes examples from archaeological sites discovered since World War II and not previously published in English language translations. Rowland's new translation and Howe's critical commentary and illustrations provide a new image of Vitruvius, who emerges as an inventive and creative thinker, rather than the normative summarizer, as he was characterized in the Middle Ages and Renaissance. Ingrid D. Rowland is an associate professor of Art History at the University of Chicago. Thomas Noble Howe is a professor in the Department of Art at Southwestern University in Georgetown, Texas..
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The Architecture Reader brings together for the first time texts written by architects of international esteem. Encompassing two thousand years of building history, these writings engage persistent concerns in architecture and design, including the role of the architect, and the relationships between architecture, nature, art and science.

Intended to be at once accessible and thought-provoking, this volume is ideal for a general audience and beginning students of architecture. The carefully chosen texts provide a taste of the multiplicity that characterizes historical and contemporary views of architecture. Krista Sykes organizes the selections chronologically and introduces each with a helpful commentary, contextualizing the author and the salient issues covered in the piece.

The excerpts appear in a variety of formats, including interviews, manifestoes, lectures and treatises, and are representative of the varied—sometimes conflicting—approaches to building and design. In combination, they provide a fascinating overview of significant concepts within the field of architecture.

The Architecture Reader will be a valuable companion for introductory surveys of architectural history, novice students of architecture, and anyone interested in formative ideas underlying contemporary conceptions of architecture. 20 black and white illustrations..
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Princeton Architectural Press's Reprint Series was established in 1981 to make rare volumes on architecture available to a wider audience The books' beautiful reproductions and finest quality printing and binding match those of the originals, while their 9-by-12-inch format makes them accessible and affordable. New introductions bring a modern voice to these classic texts, updating them to become invaluable contemporary resources. These critically acclaimed books are an essential addition to any library..
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Architectural Theory: Vitruvius to 1870 is a landmark anthology that surveys the development of the field of architecture from its earliest days to the year 1870. The first truly comprehensive anthology that brings together the classic essays in the field, the volume chronicles the major developments and trends in architecture from Vitruvius to Gottfried Semper.

• Volume 1 of the first overview of architectural thought from antiquity to the present day; this volume covers 25 B.C. to 1870
  
• Collects over 200 classic essays in the field, organized thematically for the student and scholar, covering Classicism, Neoclassicism, the Enlightenment, Romanticism, and the Gothic
  
• Includes German, French, and Italian essays appearing in English here for the first time
  
• Features a general introduction and headnotes to each essay written by a renowned expert on architectural theory.

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Price: $43.20 [Notify me when price goes down.]

Why do architects still use the classical orders? Why use forms derived from ancient Greek temples when ancient Greek religion has been dead for centuries and when the way of life they expressed is extinct? And why decorate a contemporary courthouse with the bones, eggs, darts, claws, and garlands that an ancient Greek would recognize as the trappings of animal sacrifice?

With these provocative questions George Hersey begins his recovery of the meaning of classical architecture. For the last four centuries, he shows, philology and formalism have drained architecture of its poetry. By analyzing this poetry - the tropes founded on the Greek terms for ornamental detail - he reconstructs a classical theory about the origin and meaning of the orders, one that links them to ancient sacrificial ritual and myth.

In doing so, Hersey reinterprets key tales and taboos that were part of the cultural memory of the ancient Greeks. His touchstone is Vitruvius, author of the only surviving classical treatise on architecture, whose stories about Dorus, Ion, and the Corinthian maiden, and about the Caryaean women and Persian soldiers, describe the orders as records or remembrances of sacrifice.

Hersey finds revivals of this consciousness in the Italian Renaissance and throws new light on the works of the architectural theorists Francesco di Giorgio and Ceasare Cesariano, and also on Raphael's Disputá, Michelangelo's tomb of Julius 11 and Medici Chapel, and Hugues Sambin's handbook on termini.

George Hersey is Professor of Art History at Yale University and the author of many books, including Architecture, Poetry, and Number in the Royal Palace at Caserta (MIT Press 1983)..
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This Elibron Classics edition is a facsimile reprint of a 1914 edition by Harvard University Press, Cambridge .
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Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BCE, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.

In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theatres, colonnades, baths, harbours). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colours). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.

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Approximately 2,025 years ago, an aged Roman architect named Vitruvius wrote down on ten scrolls everything he knew about architecture. He presented this work, known today as "Ten Books on Architecture," to Emperor Augustus in the hope of changing what he perceived as a rampant lack of professionalism and educational rigor in the practice of architecture. The "Ten Books," the most comprehensive architectural book written in antiquity and the only such work to survive, is a seminal volume in Western culture and continues to be an important resource. "Viturvius on Architecture" presents not only a new translation of the five books most relevant to contemporary architecture but also new drawings and watercolors that illustrate, for the first time since ancient days, Vitruvis's methods of proportion and composition. Architect and educator Thomas Gordon Smith re-created these finely detailed illustrations directly from the text. Also included are many photographs of historic architecture from Greece, Italy, Turkey, and throughout the Mediterranean region. This new edition of an ancient tome is intended for practical application, as an indispensable reference for classical studies, and as an incontrovertible example of the enduring value of the architecture of antiquity for contemporary education and practice..
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