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The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (The Other Voice in Early Modern Europe)
Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition. .
Price: $10.98
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Patience and Fortitude: Wherein a Colorful Cast of Determined Book Collectors, Dealers, and Librarians Go About the Quixotic Task of Preserving a Legacy
In his national bestseller, A Gentle Madness, Nicholas Basbanes explored the sweet obsession people feel to possess books. Now, Basbanes continues his adventures among the "gently mad" on an irresistible journey to the great libraries of the past -- from Alexandria to Glastonbury -- and to contemporary collections at the Vatican, Wolfenbüttel, and erudite universities. Along the way, he drops in on eccentric book dealers and regales us with stories about unforgettable collectors, such as the gentleman who bought a rare book in 1939 "by selling bottles of his own blood." Taking the book's grand title from the marble lions guarding the New York Public Library at 42nd Street, Basbanes both entertains and delights. And once again, as Scott Turow aptly noted, "Basbanes makes you love books, the collections he writes about, and the volume in your hand." .
Price: $5.43
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Word Court: Wherein verbal virtue is rewarded, crimes against the language are punished, and poetic justice is done
Do you find the errors on a menu before the waiter has a chance to recite the specials? Is "Your call will be answered in the order in which it was received" as grating to you as fingernails on a blackboard? Would you cringe if an advertisement for your child's school promised a "low teacher-to-student ratio"? If so, Barbara Wallraff's Word Court is a book without which you cannot live. For seasoned wordsmiths, books about language can entertain; on occasion they may also enlighten. But rare is the book such as this that can teach an old pro so many new tricks, and in such a delightful manner. If you are a reader of Wallraff's "Word Court" column for The Atlantic Monthly, you will have already seen much of what is included here. If not, caveat lector: Though there is an index, this book is arranged in such a way that one may well find oneself reading the proverbial "one more page" long into the night. "What I know about language," says Wallraff, "derives chiefly from my having edited, line by line and word by word, other people's writing over the past two decades." In Word Court, Wallraff addresses changes in the language, questions of grammar, issues concerning specific words and phrases, and a bunch of other, uncategorizable linguistic concerns. She recommends rewriting in order to avoid problems ("recast, recast"), treading carefully when you don't want controversial word use to obscure your point, and forgiving significant others "for any lapse of grammar committed in a bathrobe, before the coffee is ready." This book is delicious. And I'll bet your first-edition Fowler that Wallraff even introduces a few issues you may never have considered (perhaps the exceptional which, "picnic's grandmother" constructions, or those rare instances in which a sentence's two grammatically independent clauses should not--I repeat, not--be separated by a comma). --Jane Steinberg.
Price: $7.99
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Rockaway Wherein (Short Works Series)
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